December 11, 2011
Home again

So at the end of our trip we’re back in Wellington and resuming our lives there. This post is a kind of full stop to our travellings. So, what better way to round things off than with some nice old fashioned top ten lists?

Sally’s top ten:

  • The tortoise we randomly encountered in Athens.
  • The magical coldness in Prague and Fuessen.
  • Turkey - didn’t know what to expect, had a great time.
  • Watching the sun set over over the twinkling metropolis of Manhatten Island (see also sunsets in Hong Kong, Paris, Seoul).
  • Seeing the Guggenheims (New York, Bilbao).
  • Magical Castles - Sintra, Neueschwanstein.
  • Food: cupcakes from Magnolia Bakery in New York, Portugese egg tarts in Lisbon, the restaurant at the Paris Air and Space museum.
  • Natural wonders: Cappadocia, Auroras in Norway (a little bit disappointing), Niagara Falls.
  • Semana Santa in Seville.
  • Looking at our trip photos.

Stuart’s top ten:

  • Standing on top of 30 Rock, looking over the New York skyline (which is better than driving our 1997 Nissan Skyline).
  • Meeting Tim Hunkin.
  • Witnessing the Hoff (who has of late become a sort of low rent William Shatner) at a recording of Never Mind the Buzzcocks.
  • The BBC.
  • Bilbao - a really really nice city.
  • Looking at the Hong Kong skyline from Lugard Road as the crickets chirped.
  • The VW and BMW factories in Germany.
  • Paris - all of it.
  • The amphitheatre at Italica in Spain.
  • Walking in a thunderstorm in Arles.

And on the negative side:

  • London’s bad bits, esp rioting.
  • French rail.
  • Sacher bloody tortes in Vienna.
  • Greek strikes.
  • Accommodation described as having ‘character’ but actually just being a bit shit.
  • Hotels with no lifts.
  • The meteor shower (more of a drizzle).
  • Packing bags.
  • Stuart losing his wallet in Norway. Crap!

Finally, thanks to those who have followed our blog and provided words of encouragement along the way.

    December 3, 2011
    Various happenings in Hong Kong

    We were in Hong Kong for a couple of weeks catching up with Sally’s family, seeing sights, and shopping.

    Benita and Felix’s wedding

    Benita is Sally’s cousin; her father Uncle Tong (aka Uncle Six, to use his more exciting, triadish name) being Sally’s mother’s brother. We’d spent time with her and her boyfriend Felix on previous trips, so we were excited to see them get hitched.

    I’ve been to one Chinese wedding before, a while back, which was quite something. A curious mix of East and West, at one point a Chinese in a kilt came in playing bagpipes.

    There were no highland trappings at this wedding, but it had plenty of impressive features. For example, there wasn’t just have a photographer or videographer, they had a production crew shooting and projecting video, with each member of the crew using walkie talkies to coordinate. We even got an edited highlights video package of the more Chinese ceremonies (including ‘games’ featuring groomsmen cleaning their teeth with a mixture of peanut butter and wasabi) from the same morning. As a sometime corporate video producer myself (bwahaha!) I know how much effort is required in editing and mixing footage, so I was impressed at the quick turnaround. All for a fairly eye-watering NZ$3000.

    Chinese brides wear multiple dresses throughout the day, and Benita’s ranged from the traditional Chinese red dress and untraditional Western white dress through increasingly fanciful gowns as the evening progresses. By contrast Felix only wore two suits, but the one I saw had sparkles in it, and his shirt had nice ruffly cuffs, like Liberace. In fact, even his hair glittered.

    All Sally’s mum’s side of the family were naturally present, but all of Sally’s father’s side were there too. This is because (and I think I have this right) Benita’s mother’s father was Sally’s father’s mother’s cousin, and Sally’s grandmother helped arrange the wedding between Benita’s mother and Uncle Six (aka Uncle Tong, to use his less exciting, non-triadish name). It took about ten minutes of heated discussion around our table to work this out. In addition, other more obscure relations of Sally’s dad Joe were present, familiar to me because I visited their houses once during Chinese New Year, although I’m still a bit hazy about how they fit into the family tree.

    The wedding had around 200 guests, and we were fed about ten courses, including some totally unidentifiable marine biota, a roasted pig with its head glaring balefully at us, a fish with its head glaring balefully at us, and a roast chicken with its head not so much glaring balefully as looking dopey. I have to say I prefer not to look at the head of the animal I’m eating, especially while I’m eating it. On the other hand, I think there’s something more honest about staring what you’re eating in its cold, unseeing eyes. (Incidentally, the head table’s pig’s head had glittering LEDs inserted into the eye sockets, creating a sort of psychedelic Lord of the Flies effect. Apparently this is done to make the head look more ‘alive’…)

    We also had shark fin soup. There are moves afoot in Hong Kong to ban the process of obtaining shark fins, which involves dredging up sharks, cutting their fins off, and chucking them back in the water to die. As the bowl of soup was placed before me, I momentarily wondered if I should forego the soup in protest, but then I figured this noble act wouldn’t stick the fin back on the shark, so I drank it anyway.

    Apart from the wedding vows themselves, the highlight of the evening was Felix singing (without accompaniment), a love song to his new bride. (This was, incidentally, one of the numerous songs by the greatest of the cantopop gods, Jacky Cheung, to be heard throughout the evening.) We all laughed and clapped excitedly.

    The wedding vows. The microphone was used later for a bit of crooning.

    Unlike the slow death of weddings in NZ (where guests often sit around listlessly at the end of the evening, wondering if now is a good time to leave), with Chinese weddings, when the oranges come out, that’s your cue to go. Curiously, none of the five tier wedding cake was handed out. What on earth do you do with an uneaten five tier wedding cake? In any event, we had a great time.

    Other family encounters

    We visited Sally’s grandmother, and her son, Uncle Sam (or Third Uncle, possibly in tribute to the classic Eno song) several times. Whenever we visit we tend to eat somewhat unusual animal components. On a previous trip I had the privilege of consuming sea cucumber (rather like a rubbery black turd), and this time I ate a bit of pigeon (tastes a bit like duck) and fish bladder (undetectable if eaten with mushrooms).

    Conversations at the dinner table tend to be conducted in Cantonese, and while I recognise simple words and can conduct halting conversations on simple topics, I wouldn’t understand one word in ten. Periodically I would be given translations, and I would smile and nod politely. The most awkward aspect of family interactions for me is posing in family photos, where I’m the dorky gweilo towering over everyone but trying to look inconspicuous in the corner of the photo.

    There are numerous familial rituals that are fascinating to observe, none more spectacular than the wrangling over who pays the bill for dinner at a restaurant. I’ve seen people having tugs of war over a credit card, or the list of dishes ordered. Similar things occur when gifts are given. Sally’s grandmother gave us 3kg of dried scallops to take back to NZ. Everyone (well, except me, I keep my mouth shut) objected, saying there wasn’t enough room in our luggage (which is entirely true). Grandmother being the senior, however, we eventually just had to take the scallops (along with some dried mushrooms, for good measure). 

    Speaking of soap operas, these are an interesting phenomenon too. Hong Kong’s main station, TVB, presents three locally made serials every night of the week. In order for punters to be able to socialise but still keep up with their favourite shows, most large restaurants have TV screens showing the soaps (usually with sound off, but luckily all shows are presented with Chinese subtitles, possibly for this reason). There’s something quite nice and communal about this, everyone having a common televisual reference point du jour. At the moment the big soap is a historical job set in the Chinese royal palace, called - perhaps slightly melodramatically - Curse of the Royal Harem. The plot involves the Chinese Emperor’s concubines and Queen vying with each other for superiority (to say nothing of the Queen Mother). Complex interrationships and exciting plot twists keep viewers on their toes. You feel a bit sorry for the emperor having to manage all these women. On the other hand, he brings it on himself, he really does.

    Promotional bus for Curse of the Royal Harem driving along Nathan Road in Kowloon. Various characters were waving to passers by from the top deck.

    Madame Tussauds, HK

    When we were in London, we would every so often have business in the vicinity of Baker Street, and on exiting that fine station we would observe the queue of - how shall I put it? - unrefined tourists for Madame Tussauds waxwork museum. I would get furious. Why look at a waxen imitation David Beckham (which is, now I think about it, not too far off the real thing) when you could visit the British Museum? I swore never to visit the place, to Sally’s amusement. Subsequently she would bait me by suggesting we go.

    Hong Kong also has a Madame Tussauds, but this one is partially stocked with Chinese singing and acting legends, so I was much more keen to have a look.

    The waxworks is at the top of Victoria Peak, above the metropolis on Hong Kong Island. We ascended the tram to the peak and queued up. Hong Kong doesn’t have eurotrash tourists, but it does have mainland Chinese tourists, who tend to be loud, and queue jump outrageously. In fact if you take the worst of the European tourists (without a doubt the Italians) and compare them with the mainland Chinese, it’s very much neck and neck. In my view though the Italians win, because the rudeness of the mainlanders is unintentional (they’re just behaving like they do back home), whereas the Italians know better, but they’re bastards.

    As for the waxworks, well we went around taking silly photos of ourselves with the dummies. Here you go:

    Here we are (I appear to be something of a third wheel) with the hardest working man in HK showbiz, Andy Lau. He appears to be suffering from hepatitis.

    Here I am with singer, actor and Unicef ambassador Leon Lai.

    And here’s Sally with Audrey Hepburn.

    We took more exciting pictures than these, but sadly we were mugging so hard we look like morons.

    It only took about half an hour to get through the museum, esp with David Beckham’s statue on a ‘goodwill mission” to the Tokyo Tussauds outlet. On the whole, I wouldn’t recommend the place. It’s a bit cheesy and crass - and brings out the cheesy and crass in visitors, too…

    Encounters with Aaron Kwok

    Celebrity endorsement is a key advertising methodology in Hong Kong, with the biggest stars of the entertainment industry running numerous product endorsements concurrently. If you don’t particularly favour that star, it can be quite frustrating because you can’t get away from them. Aaron Kwok, one the Four Heavenly Kings of cantopop, is one such star:

    I have to say I don’t measure up too well against Aaron’s impeccably sculpted abs. And the less said about my shorts, knees, work socks and walking shoes the better. (Dear God, I’ve turned into my father.)

    They’re ah… just good friends. Incidentally the slogan is ‘Elegance is an attitude’. What the Chow Tai Fook does that mean?

    And here Aaron promotes a concert series by wearing a crown of clinkers, silly putty and gilded hair. He’s… decorated.

    Shopping!

    Hong Kong malls take Christmas very seriously. There are numerous and extensive shopping malls. Oddly, while I hate shopping malls in NZ, HK ones don’t bother me so much - I think because they’re more interesting to hang out in decor- and shop-wise. Here’s some pictures:

    Live Stage!

    Sally with strange metallicish representation of Sagittarius.

    Hugh Grant in front of Cancer the Crab.

    Who wouldn’t want hot hugs from a lavender scented tummy… ow! Too hot! Too hot!

    Me with an RX-78 model Gundam from the Japanese anime series Mobile Suit Gundam. I’m possibly a bit of a nerd.

    Toy Story-based Christmas display. Hong Kong people love Christmas, and I’ve seen some Christmas art of Hong Kong bathed in snow. Not gonna happen!

    Photos of Hong Kong

    For 15 minutes at 8pm each night various skyscrapers in Hong Kong do a lights display, featuring bursts of laser fire.

    Hong Kong Island: well prepared for alien invasion.

    In the last ten years the large IFC tower on Hong Kong Island, and the even larger ICC tower in Kowloon have sprouted up, giving the harbour a slightly Middle Earth flavour. This photo was taken from the mantis-like Bank of China tower.

    Vertiginous flavour of Hong Kongs towers. Bank of China tower on the right.

    After our visit to Madame Tussauds, we took a stroll along Lugard Road, taking the following shot of the city vista below us.

    We returned after dusk and took a nearly identical photo of the city lights:

    Here’s the view looking towards the bridges towards west Hong Kong and the airport.

    Here’s the zig-zaggy Bank of China building in heavy perspective-distortion:

    And finally, for a laugh, here’s a higher res version of an HK panorama. Note that the Hong Kong cityscape was an inspiration for the design of the movie Blade Runner, well before the largest skyscrapers were built…

    November 24, 2011
    Seoul!

    Day 1

    Sally, her parents Joe and Celia, and I jetted into Seoul on a Friday afternoon. Our mission was to see the place over the next three days, and fly out again.

    Joe and Celia had visited Seoul before, some 30 years back. Well, allegedly so. They know they’d been there, but they have no memory of anything they did there.

    (Incidentally, this is why this blog is so obsessed with the specifics of what and when and how we - well, mostly I - felt, so that if time should wash away our memories, at least we can read this collection of ramblings and say “Oh, that must have been interesting for us”.)

    For Sally and me, our interest in Korea is largely down to our ongoing and slightly weird affection for Korean TV dramas. Over the last ten years or so Korean music, TV, and movies have been very popular across Asia, a phenomenon called the Korean Wave. We’ve surfed a bit of that wave in recent years, and in a last ditch attempt to enjoy the benefits of unlimited internet, we downloaded four soaps in the last weeks of September. Thus, while in Turkey we would travel the wastes of that great, dry, ancient land, and at night we’d be watching the goings on of some unfeasibly handsome and glamorous people over in Korea. No one is more unfeasibly handsome and glamorous than leading man Lee Min Ho:

    CHORUS OF GIRLISH SQUEALS.

    The best Korean dramas (the word soap is probably more accurate) tend to involve foolish plots and bizarre characterisations, and bald and blatant product placement. Miraculously, though, they are strangely compelling to watch. Addictive, even. Fun.

    As for Korea itself, we didn’t know very much. Well, we knew about the division of the country, and its geopolitical implications, but of its culture we knew very little. It’s sort of a blend of Chinese and Japanese cultures. Also, they like spiced up cabbage and eat dog.

    We arrived at Incheon Airport and caught a bus into Seoul, which took about an hour. The late afternoon was overcast and the landscape largely industrial. Felt a bit like Beijing to me. Bleak.

    We checked in to our hotel, which was a Toyoko Inn, a Japanese hotel chain we have stayed with previously while travelling in Japan (it’s a sort of Japanese Ibis). We dumped our gear and almost immediately headed out to get dinner. We visited the Dongdaemun shopping district, and found several alleys full of very downmarket eateries. We ended up in a noodle house (actually, more of a noodle shack) where we ate very nice ramenesque noodles with kim chi and nothing else. The noodles were good and ridiculously cheap.

    Rather unflattering photo of me about to tuck in to some kim chi.

    We then found ourselves in a food stall alley largely given over to pork parts, notably intestines and bits of noses. Surprisingly I managed not to be too nauseated. We managed to buy and eat some Koreanish sushi and some buns containing red bean paste, which occupied a similar to niche to how chocolate is for the west. If course, chocolate kind of fills the chocolate niche in Asia now, but the humble red bean and its derivative products remain the general sweet food of choice.

    The area is marketed as Dongdaemun fashion district, which suggests to me chich boutiques, but the reality was wholesale shops and rundown fabric dealers. The locals were rough and ready types, with the men dressing in a fashion similar to mainland Chinese men: sports coat with shirt/sweater/turtleneck, baggy pants, and a great love for loudly hawking and spitting at regular intervals. From Korean dramas we were used to seeing only pretty girls with outrageous manes of dyed gold hair (and the boys likewise), so this uncouthness was a bit unexpected.

    Finally we managed to find something reassuringly Korean like we see on the telly: a bunch of youths spasming to a bit of K-pop:

    Seconds later these kids were levitated up into the alien ship.

    Also, this ingenious spinning device is for disciplining delinquent adolescents:

    We returned to our hotel via a series of shopping malls where I was determined to buy t-shirts featuring bizarre english. Unfortunately, while I did find some suitably Dada slogans, they tended to be paired with elements I didn’t really want to wear, like pictures of Justin Beiber, or yoof-oriented styles that don’t look that nice on a man who is, frankly, 36.

    I don’t know about the others, but I went to sleep feeling a bit disappointed by what I’d seen so far, thinking that South Korea was a good deal shabbier than I’d be led to expect by the TV…

    Day 2

    We started off by catching the Seoul metro in the direction of Gyeongbokgung palace. We found the metro a bit strange. The trains themselves are perfectly fine, but the ticketing system is highly eccentric. To buy a single ticket, you have to pay a deposit, redeemable when you finish your journey and give your ticket back to the machine. Presumably the idea is to encourage users to use rechargeable travel cards, but these weren’t suitable for us. Not very tourist friendly.

    Worse still, the metro stations all had highly convoluted concourses, such that once you entered the station it seemed to be several hundred metres’ walk to actually get to the train platform. I don’t know if the plan was to disperse commuters further away from the station before they get to street level, but it was a pain. Also, escalators and stairs seemed to be used arbitarily, so you could catch an escalator only to find 30 steps awaiting you at the end. It made the most convoluted London Underground station I know, Bank - the one where you have to access one line by walking down the platform of another - seem almost logical.

    On the train I was accosted by some children, one of whom - something of a young punk who may or may not grow up to be trouble - greeted me, explaining that although he had long hair, he was in fact a boy, not a girl. I said his haircut made him look like a prince (as in Prince Valiant), which, after he’d had this explained to him, seemed to please him. I was asked where I was from, and when I said ‘New Zealand’ the children all responded like I had announced I was from Venus. On the periphery I noticed various adult Koreans laughing to themselves. Who or what they were laughing at remains a mystery…

    Prince Valiant in the green on the right.

    We emerged somewhat bemused at Gyeongbokgung palace, one of the five big palaces in Seoul. We had a look around the entrance, took some photos of the impressively costumed guards, and sauntered around the grounds. Here’s some pictures!

    Architecturally the palace seemed very Chinese. There may well be significant differences, but I certainly didn’t notice them - unlike the distinctiveness of Japanese architecture. The buildings were impressive enough, but with the overcast and cold conditions the place didn’t seem very grand. Mind you, I found the Forbidden City in Beijing a bit ramshackle and overgrown, so I’m probably not a good judge of these things.

    At the far corner of the palace complex, we visited the National Folk Museum of Korea, housed under a rather fetching pagoda. The museum was OK. By now we’re a bit done with museums, I’m afraid.

    Afterwards, we left the palace and went in search of a street containing honboks - traditional Korean houses. We walked through quite a twee area with academic institutions, coffee shops, art galleries and even the President’s Palace. It was at this point that I realised that the low rent nature of the Dongdaemun that we had experienced the previous night was perhaps not particularly indicative of Seoul as a whole.

    We had trouble finding the honbok streets. It transpired that this was because that the side streets marked on our map were actually paths up the hill. Once we worked this out we found our target in about five minutes. Thanks to some very handy walking tourist officers (thanks, Seoul’s tourism bureau!) we located a special honbok, one that featured heavily in the Korean drama Personal Preference, starring Lee Min Ho as an architect who has to pretend to be gay in order to become the flatmate of ditzy Son Ye-Jin, in order to study her house in order to win a lucrative construction project… as you do. In any event, we took inordinate satisfaction in having our photo taken in front of this house:

    Joe wins.

    Afterwards we looked for lunch. Sally was after a ‘traditional meal’ she’d read about in her guidebook which consisted of numerous dishes. She wouldn’t actually find a restaurant that actually provided such a meal until our last day, when we were unable to partake. We searched fruitlessly for some time and settled, perhaps a little pathetically, on a place that did two dishes: hamburger steak and Japanese-style pork cutlet. We had the cutlets.

    After lunch we walked back to the palace and proceeded out the front gate and out into magnificent plaza, ringed by a multi-lane road. The plaza contained a giant statue of Korea’s greatest king, Sejong, who among other things introduced the ingenious hangul writing system as a way of getting the peasantry literate. 

    Statue of King Sejong the Great, perched on his mystic hovercraft.

    Underneath Sejong’s statue is a museum devoted to him and Admiral Yi Sun Sin, noted slayer of Japanese marauders, whose forbidding statue is erected at the end of the plaza. We decided to descend underground and have a look. We found a modest concert of classical Korean music about to start, and we decided to giv(Incidentally I embarked on something of an ill-advised all pork cutlet diet when we visited Japan a few years back. It wasn’t intentional, it’s just that it was the most delicious thing on the menu - every time. After around four days I had to change tack as I was starting to feel rather ill.)e the king and the admiral a miss (wikipedia can always fill us in if we’re sufficiently interested) and sat our weary legs down.

    The musicians consisted of a bamboo flutist and a player of a zither-like instrument called gayageum. What little classical Korean music we’ve heard is fairly ear curling, kind of like Chinese music by way of avant garde composer Pierre Boulez. Here’s an example, paired entirely appropriately with a movie of cats doing the darndest things:

    The concert started with the flutist solo, doing a bit of classical music, wild harmonics whistling out of the instrument. Certainly cleared my ears of wax. The gayageum player went solo next, performing a nice, but vaguely new ageish sounding piece. Then the two played together, and lo! did they play that most classical and Korean of songs, Edelweiss from The Sound of Music.

    I was a little offended by this, but you know, it’s a good tune, well done Richard Rodgers. Then they played Scott Joplin’s The Entertainer. Again, kudos to the master of Ragtime, but, well…

    When the pair then launched into the theme to a Korean soap we’d watched (don’t ask us to name it, they all sound the same), and we decided there wasn’t much in the way of further cultural learnings to be had here, and we went on our way.

    It should be noted that music is a key theme of the soap Heartstrings, aka You’ve Fallen for Me, a charming romance in which a gayageum student pines for a rocker bad boy hottie, against a background of the pressure cooker world of a performing arts school (kind of a K version of Glee - maybe you could call it ‘Kree’… oh, never mind).

    Next we hung a left and intersected with the Cheonggyecheon stream, which used to run underground but has recently been resurrected. At the time we visited the stream was hosting the Seoul Lantern Festival, where illuminated lanterns were arranged across 1.2km of the stream. Lantern themes ranged from the mythological to the weird:

    Whoa!

    This peacock-phoenix thing belches flame.

    We kept to the stream for a few more kilometres, getting gradually colder as the night set in. Eventually we reached Dongdaemun and dined cheaply in a shopping centre foodcourt. I had a traditional bulgogi beef burger from Burger King (not as good as I’d hoped). From there we retired to our hotels.

    Day 3

    The next day dawned very cold indeed, and we donned our thermals. Our first destination was in the west of the city, to a coffee shop which featured in probably our favourite Korean drama, The 1st Shop of Coffee Prince. This entirely plausible tale features a girl who cross-dresses as a boy in order to work in a male-staff-only coffee shop. The shop’s owner then becomes attracted to her, and in consequence a bit confused about his sexuality. Before you scoff, the premise is the sort of thing you’d get in a Shakespeare comedy. Anyway, Coffee Prince is good fun and hugely popular across Asia.

    The owner of the coffee shop had good presence of mind to keep the show’s props and effects after production ended, turning the place into a shrine to the show which tourists now visit. We found the wall outside the shop strewn with messages in Japanese, Thai, English, Chinese… Unfortunately we arrived 20 minutes before the place was due to open, and the cold was such that we weren’t going to hang around. Another offputting factor was the hiked price of coffee there. In fact food prices in Seoul were generally extortionate. Instead we contented ourselves with a picture outside the place, and moved on.

    Law family with Coffee Prince coffee shop behind them.

    We caught the metro out to the National Museum of Korea, which houses Korean archaeological and historical artefacts, along with Chinese, Japanese and Indian items for comparison. The museum was elegant and pleasant, but a little on the empty side when compared to the British Museum. Still, I don’t think Korea has ever been accused of plundering other countries’ cultural wealth.

    Mediaeval Korean map of the world. Not entirely accurate.

    Hindu deity masks. With eyes. EYES.

    There were two highlights for me: one was a room displaying artefacts from a G20 meeting held in the museum a year or two previously, with a gift from US President Obama reverentially encased in glass. The next was when I was unexpectedly bushwhacked by more school children asking me prepared questions (I don’t know if their teacher said “now class, I want you to go out and harrass any of those demon westerners you can find”). They hadn’t heard of New Zealand, but luckily with Google maps on my phone I was able to show them. After the interrogation they asked to pose for a photo with me, which Sally managed to capture:

    I had professed a desire to visit a technology mall similar to one I’d seen in Tokyo, so after the museum we walked a couple of km to the vast Yong San shopping mall which contained a electronics building of some seven floors (including a rather incongruous wedding venue floor). We kept to the escalators to avoid vendor harrassment and spied floors filled with cameras, or mobile phone vendors. The top for was an e-stadium, for the Koreans have turned computer games like Starcraft into a spectator sport. They’s crazy! Anyway, here are some pictures:

    If you wanted a camera, you’d probably find it here. 

    e-stadium. You can almost smell the geeks.

    And here’s a picture of Confucius, Buddha, and glorious golden Korean Jesus.

    We caught a train and then bus up the hill to the telecommunications tower and excellent vantage point N Seoul Tower. We didn’t go up the tower, or the cable car which featured in Boys Over Flowers. Instead we stood on a viewing platform at the bottom of the tower and took lots of pictures.

    In a move guaranteed to bring joy to the hearts of lockmakers, young couples have festooned the sides of the platform with declarations of love!

    Sally continued to take photos but the rest of us sought refuge from the cold, with temperatures plunging below zero at dusk. We ate burgers while the loudspeakers played some pretty hip jazz.

    Afterwards we chattered our teeth back down the hill and bussed back into town. 

    There we looked at a few shopping streets but the cold was such we sought refuge in a very plush department store. We bought some snacks and then returned to our hotel.

    Day 4

    We checked out of our hotel and caught the metro up to Insadong, a sort of art quarter. There we went looked through some galleries and saw some funky stuff, and in an attack of whimsy bought a Lee Min Ho 2012 calendar from a street vendor, enraging Sally by making out she wanted it rather than me. We also bought packs of rice-based sweet treats to take back to Hong Kong.

    We then retrieved our luggage, bussed back to Incheon airport (the departures terminal being familiar from lots of Korean dramas) and flew back to Hong Kong.

    Tasted better than the name suggested. Didn’t really get a new feeling, though.

    So, that’s our visit to Seoul. It seemed a thoroughly nice place. The Koreans are a little baffling, but less so than the Japanese. Of course we forget that just over the border there’s a totalitarian state that keeps its people in miserable poverty and will stop at nothing to volley missiles and wave nukes at the south (and Japan, and the US) to get aid concessions. It’s actually pretty impressive how the bustling modern south just gets on with its life with all that hanging over it. Good on it. As for us, we had a great time, and will continue to watch those wacky dramas. Huzzah!

    November 22, 2011
    Macau

    You may or may not know that Macau was a Portugese trading colony set up in the 16th Century. The old part of Macau contains some nice Portugese buildings and the local cuisine contains many Portugese elements (not least Portugese eggtarts - yummy!). One unusual element of the colony was its legalised casinos (the only legal gambling you can do in Hong Kong is on the horses). The colony was handed back in 1999, and with freer access for Chinese citizens, the casinos have only grown, with Macau becoming a place where the rich, the not-so-rich, and the rich becoming not-so-rich Chinese may occasionally win but mostly lose a lot of money. The casino business has grown to the point where it even turns over more money than Las Vegas.

    Our Macau odyssey began with a 6:45am trip down the MTR to the ferry terminal, where we caught the fast ferry (one hour) to Taipa terminal, in the reclaimedish sector of Macau called Cotai. From there we proceeded to hop from location to location via free buses put on by the casinos. Our first stop was the impressive Galaxy Macau casino, which featured a stirring display of fake crystals and lasers annotated with claims of unalloyed bullshit:

    Magic fountain chandelier thing at Galaxy Macau. Note this is the only photo I can find of Sally from this day. Oops!

    Note: not natural geological formation.

    “The mystical energy of the legendary Peacock Fountain has been harnessed by Galaxy Macau™ to benefit all those who visit this exciting spot.”

    I’m always happy to pose with photos of dimuntive HK comedy sensation Eric Tsang.

    After this first taste we caught a free bus to the Macau ferry terminal in order to catch another free bus to the garish Grand Lisboa where we were channelled through the slot machines before being allowed to escape:

    Grand Lisboa: looks like a Cylon disco.

    We slipped out into town where we walked about and got some Portugeseish lunch at a restaurant Sally’s dad Joe knew. We then walked around the centre of town and visited a house where Sally’s mum Celia think she used to live (apparently they lived in a lot of houses and no one in the family is quite sure). It was probably my favourite part of Macau because this sidestreet was quiet and pretty much deserted. Ahh.

    The Laws with the son-in-law.

    Returning into the centre we ate an eggtart or two, then returned to the Grand Lisboa to get a free bus back to the ferry terminal, where we caught a free bus to the City of Dreams casino. There we took in a sort of cirque de soleil show called The House of Dancing Water. This featured a stage that was a swimming pool from which various platforms and props would erupt, including a sunken pirate ship. The ‘narrative’ featured some cliched cobblers about a rakeish bloke trying to rescue some girl he barely knows from the clutches of some grumpy leather-clad teutonic types, aided only by a plucky Chinese boy and a squad of noble Maasai. Luckily no one spoke or sang, or I probably would have ruptured.

    We were sitting in the front row, and we knew trouble was brewing when we found that each seat was allocated a towel, suggesting water was going to be coming our way. The show kicked off and it wasn’t long before the deluge started. Worse still, various acrobats would periodically jump up on the side of the stage in front of us and intentionally splash water at us. One even pinched Joe’s towel! I suppose it’s all part of the action, but leaving your audience sodden seems a bit rude, in my view.

    The largely Chinese audience seemed to enjoy the show, however, and even I have to concede I enjoyed the narratively irrelevent but very exciting display of motorbike stunts. Overall though, I’d rather just see circus performers doing their tricks (and I have to say the performers were absolutely brilliant - well done, team) without any cliche-ridden narrative holding it all together. Cobblers!

    Pirate ship rising out of the water. Didn’t they do that in Pirates of the Carribean?

    Giraffey thing from blokes on stilts. Don’t they do that in the Lion King musical?

    Here come the warm jets: at least these fountains are flowing away from us.

    Motorcycle jump!

    After the show we caught a free bus to The Venetian, a casino that features a mockup of Venice. There’s a sister version in Vegas, apparently. I particularly wanted to visit this place as it was the site of a particularly preposterous scene in the remarkably ludicrous Korean drama Boys Over Flowers. As it was the Venetian bits - featuring canals with Chinese opera-singing gondoliers - were well executed, but lacked the grimeyness of the real Venice.

    The casino part of the complex is vast, but so too is the shopping mall, where we had dinner. After that we returned (via free bus, natch) to the Taipa ferry terminal and caught the next available ferry back to Hong Kong. We arrived home weary, dazed, but with our wallets intact (take that, casinos!).

    Sally and I had had a hankering to visit Las Vegas, just to check out the horribleness of it, but after visiting the casinos in Macau we think we may well give it a miss.

    November 21, 2011
    Madrid, Toledo, Bilbao

    We caught a train to Nabonne from Carcassonne and a further train to Barcelona. At Barcelona we dined at Macca’s, which was bloody great, thanks very much. We then boarded a fast train to Madrid. Before we got on board our bags were X-rayed; I guess this is a legacy of the Madrid bombings.

    Giant axolotl ad in Barcelona station.

    The train was tidy and modern and blitzed through the countrysides at self-reported (I wasn’t able to verify) speeds of up to 300kph, which was zippy. You’d try to take a photo of some object of interest and find it had disappeared before you’d click the button.

    I’d been a bit puzzled at finding the countryside of southern France a bit lacklustre, and was curious to see if I found Spain to be the same. Well no. The arid lands with interesting contours and cliffs and rocks and trees and (numerous) wind turbines was extremely fascinating and slightly otherworldly. Meanwhile on the TV there was this dreadful sentimental movie with sub Sixth Sense bits starring Zac Efron of High School Musical fame.

    The Spanish landscape: 3pm Eternal

    Madrid Atocha station was extremely impressive. In fact the Spanish Renfe trains are pretty good, in all our experience, certainly compared to the shambling nature of the French rail. Mind you, I have a feeling the gleaming Spanish trains may be a legacy of the sort of borrow large policies that got Spain in the economic poo…

    View from our hotel window of Madrid Atocha station.

    We checked into our hotel across the road from the station and promptly bowled up the road to visit the Museo del Prado, one of the biggest art museums in Europe.

    The Prado is free after 5 on a Sunday (and open until 8pm), so now was a good time to go. Unfortunately (and inevitably) a lot of other people had the same idea. Still, we got to see a lot of Goya and El Greco, plus a bit of Raphael, some big-boned Rubenses. The highlight for me though was the early Flemish: Bruegel Senior’s The Triumph of Death, which featured in a book I had as a child and frightened me quite a lot;  and Hieronymous Bosch (‘El Bosco’ in Spanish)’s most famous work The Garden of Earthly Delights. This painting is nominally about the dangers of sin, but is mostly an excuse to paint the most outlandish things you’ve ever seen. Fabulous!

    Elsewhere, there was a lot of Goya’s early stuff, where he was painting the rich and famous, and some of his later stuff, post Napoleonic wars, where he apparently invented modernist painting about 60 years early.

    As for El Greco, we hadn’t seen much of his luminous, bendy-limbed stuff so far, but we certainly made up for it quickly, seeing several rooms of just him.

    Having our fill (at least temporarily) of the Prado, we had a fairly unsatisfying Thai meal down the road, and then retired for the evening.

    The next morning we walked about 50 metres from our hotel and entered the Reina Sofia Museum, a sprawling modern art gallery that inexplicably provides no map to punters. We started by checking out a recently built annex to the museum which has a strange high-rise terrace currently featuring a sculpted stack of livestock:

    Sally’s food pyramid is heavy on the protein.

    We then tackled the museum proper. Starting at the top, we first visited the temporary exhibitions where I blew my top at being told off not for stepping over the black line in front of a painting, but for looking like I might be about to step over the line while two feet from it, and already deviating away from it. It’s perhaps (indeed, entirely) not worth worrying about, but after visiting dozens of European museums and putting up with the tut-tuts and suspicious starings of staff I kind of had a bit of the red mist. I stormed out of the room making sarcastic “I was this far away” gestures at the poor woman. As for the artist, he was some Italian pop art type who did a lot of carpet maps of the world. What a talent.

    The third floor was a bit better, with European modernists in abundance. There were several early cubist Dali paintings. They weren’t too impressive (Dali a cubist?) but we did see one of his late 20s surrealist movies, which was both hilarious and repellent - a bit like Dali himself.

    A bit of Dali cubism. It’s pretty good, actually.


    All the world’s a cube, apparently.

    We found the building quite frustrating. Without a map we were already on the back foot, but we found that groups of rooms could only be entered and exited from one room, so you had to walk through rooms you’d already visited to get out. I think it would be the worst laid out gallery we’ve visited - at least, the only one where we’ve thought ‘geez the layout is lousy!’

    Eventually we got to some of Dali’s later, classic works (melting watches and all), but the real star of the gallery is Picasso, and his star exhibit is his 1937 painting Guernica. It depicts the bombing of the town of Guernica in Basque Spain by the Luftwaffe, and is arguably his most important work. It’s a hell of a painting, and the small crowd viewing it when we were there did so in silence. The main thing I was struck by is that it was quite gutsy of Picasso to have rendered it in such a simple, childlike style - done wrong, it just would have looked silly. Mind you, being Picasso, he could have hardly got it wrong, could he?

    Picasso’s Guernica: your kid couldn’t have done this.

    On the ground floor we looked at some post war Spanish art, which was pretty good. There was also some of your usual forgettable modern stuff, but I can’t remember what any of that was like, now.

    After the Reina Sofia we had some lunch at a Korean restaurant (which is what you do in Madrid, of course), and decided to do a bit of a walkabout of the city (enough of its art galleries, already!). Our first port of call was the Plaza Mayor, a very spanish looking square featuring ‘busker’ Elvis and ‘busker’ Fat Spiderman.

    Approximately 220 degrees of the Plaza Mayor. Fat Spiderman behind statue.

    The reader may or may not find it interesting that busking in Europe does not necessarily involve some act of skill (e.g. making music, or juggling). No, all you need now is a costume and you just wait for the money to roll in. Needless to say, they haven’t got a cent out of me!

    After the Plaza Mayor we rolled on to the royal palace and the handily adjacent Almudena Cathedral. The palace is supposed to quite good, but after four royal palaces we decided to save our money. Instead we went into the cathedral, which was moodily excellent.

    The Royal Palace: we didn’t go in.

    Outside the Almudena Catedral.

    And the colourful inside.

    Afterwards we walked up to the Plaza de Espana, which was a bit seedy. Fleeing quickly, we went down the Gran Via, which had a lot of fancy shops. We stopped in for a bit of a gander at the local Corte Ingles, a chain department store we’d previously frequented in Seville.

    Some tagger really likes Bruce Lee. And why not?

    We had dinner at an actual Spanish restaurant, just for a change. I hilariously confused the spanish word for sardines with the word for bread roll, and ended up with a plate piled with little fish. I managed to get most of them down and didn’t bring any up later, so all was well. Sally had steak, and I also had Sally’s steak.

    The next morning we visited the Museo del Prado again. Again? Well, a new temporary exhibition had opened the previous day: a collection of items from the Hermitage Museum in Saint Petersburg. This museum has a franchise in Amsterdam which we visited last year, and other dependencies besides, so it’s clearly got a pretty significant outreach.

    The exhibition was pretty eclectic, ranging from 2000 year old Greek and Scythian gold artefacts to 19th Century Russian jewellery and the odd Kandinsky and Monet painting besides. We rather enjoyed it - it was a manageable size and the variety was refreshing. The most interesting stuff was some 19th Century gold silk thread filigree boxes - unbelievably fine detail. Would do your eyes in to make one though.

    After the Hermitage stuff, we did a once around the bottom level of the Prado to see things with fewer punters present. So ‘El Bosco’ got another look over, and we saw a few other paintings we’d missed the first time around.

    After a small meal in the Prado cafeteria we made for Atocha Station and caught a train out to Toledo, the former Spanish capital. The historic town sits on a hill and has nice narrow lanes. The day was sunny and warm (Madrid was a bit cooler) and we enjoyed walking about. We spent about an hour in the Cathedral, which was absolutely tremendous, as all these photos we weren’t allowed to take will attest:

    Monumental Renaissance-era altar in Toledo Cathedral. Best not to think about where the gold came from.

    Supplemental Baroque altar. Feels more like it was geologically accreted than carved.


    Afterwards we had some chocolate con churros at a local cafe, bought some marzipan treats for Sally’s HK rellies, and just generally sauntered around. In the late afternoon sun the rocky river valley adjacent the old town looked amazing, and we made our way back to the station at sunset. We weren’t in Toledo for long, but writing a few days later I can say that the experience was vivid.

    Sally with new friend, a man from La Mancha.

    Back in Madrid we rushed back up the Prado and got in one final art gallery (why the hell not, etc). This institution was the CaixaForum Madrid, sponsored by the Catalan bank La Caixa and housed in a very impressive building with a vertical garden. There were two exhibitions on, one of art from the ancient Mexican city of Teotihuacan, and the other of art by French painter Eugene Delacriox.

    Wall garden on the CaixaForum Madrid.

    Stainless steel and fountains under the CaixaForum.

    The Mexican art was pleasingly cubic, with plenty of animal gods and skulls and sculptural depictions of decapitated heads. Great artists, but just a little bit too bloodthirsty.

    As for Delacroix, of the famous Liberty Leading the People fame, he was good but it all seemed a bit sentimental and passe after the modernist stuff we’d seen earlier. Perhaps we were in a more modernist frame of mind at the time. Or perhaps we were just a bit tired. In any event, after visiting the gallery we went to a combined hip diner and shop called VIPS and I had Sally’s corn chips with Jalapeno sauce (somewhat incendiary) while she had my burger and chips.

    The next morning we caught a very early train to Bilbao, chief city (though not capital) of Basque Country. The train took about five hours, much of it we spent sleeping. When we weren’t asleep we found the countryside, as usual, to be eye-popping:

    We arrived in Bilbao station and popped across the river to the old town, where we checked in to our hotel, called AliciaZzz. This facility was (apparently) an Alice in Wonderland themed hotel. We had a corner room overlooking a pedestrian cobblestoned street. The bathroom had no door, which was kind of uncool, but otherwise it was a groovy place.

    Bilbao Station: welcoming you with a decapitated mummy’s head.

    My verdict on AliciaZzz.

    The view of our room.

    We went out and walked along the river, taking in the sites. I have to say that all I really knew about the Basques was that their equivalent of the IRA, ETA, blew up things and people periodically, so I was expecting the Basques to be a collection of unshaven partisans with rifles over their shoulders. Instead I found a very cultured city with lots of old buildings and bridges and monuments and a fairly sober populace. The only hint of a troubled society was the large number of youths hanging out on the street, testament to the high number of Spanish youth unemployed (over 40%!, although apparently many do work for under the counter payments - the Spanish black economy is almost as high as Italy and Greece, the sort of company you don’t want to be in).

    Once we walked enough river we got to the Guggenheim Bilbao, one of the American Guggenheim museum’s many outlets (another we’ve visited is the Peggy Guggenheim Museum in Venice). This particular installment was designed by American architect Frank Gehry, and is one of his shiny titanium jobs:

    If the outside was spectacular, the inside was hyperbole-defying:

    First things first though: lunch. We decided to go large and live it up at the Guggenheim’s restaurant, reminiscent of the Icon restaurant at Te Papa. Sally splashed out a bit and ordered lobster, while I, pining for my homeland, went for lamb. Dessert was fairly flash too.

    Arthropod for lunch! Sally orders the lobster.

    Our tummies filled, we proceeded into the Guggenheim proper. After taking in the postmodern cathedral of a lobby we checked out the area immediately outside:

    A load of balls.

    Sally in Installation for Bilbao by Jenny Holzer, which also doubles as a Star Trek transporter.

    Next we moved on to a vast hall containing giant sheets of steel, gently rusted (you know, like what’s all the range these days), and arranged in various wave patterns and spirals. We walked about these, with the metal walls variously curling into us or warping away. The highlight though was walking through a long narrow gap between two sheets, and making noises and enjoying the continuous changes in acoustics, with phasing, delay and reverb effects all prominent (even gated reverb, which made me boggle a bit). I guess you’d have to be an acoustics nerd to find it fascinating, but I’ve often wondered what buildings would be like if they were built to accommodate acoustic effects, and now I have some idea.

    Note: I’m not flipping the bird, I’m clicking my fingers and listening to the changing pattern of echoes inside the artwork. I’m like that.

    These pieces were all devised by one Richard Serra, whom the Guggenheim was keen to explain was an exemplar of modern sculpture. I’m not sure I’d call the placement of steel slabs sculpture (think of Phidias, now there was a sculptor), but I’m willing to concede he’s an artist who makes impressive big things.

    Serra’s steel works in the Guggenheim Bilbao: an acoustic playground also, to those inclined. The umbrella name for these works is called, not at all pretentiously, The Matter of Time.

    Serra’s work was displayed in various rooms on the second floor of the museum. He was paired up with Constantin Brâncuşi, an earlyish 20th Century Romanian who did totemic statues of birds and disembodied human heads. He was all right and all, but not really a sculptor like Bernini.

    The third floor consisted of selections of 20th century art from the Guggenheim’s permanent collection, with an emphasis on American art. We enjoyed it, but the density of paintings per cubic metre of the building seemed a tad low. I have read criticism of the Guggenheim Bilbao that the building is rather more impressive than the art inside. Interestingly, the Basque Country has called for Picasso’s Guernica to be housed in the Guggenheim Bilbao as Guernica is a Basque town. The painting would certainly pep the museum up a bit, that’s for sure.

    Despite the relative paucity of artworks, we were at the Guggenheim for four hours, and when we exited the sun had gone down. We look some photos of the outside art, including a giant spider called ‘Mother’, and a periodic burst of flame from the adjacent pond. That modern art, eh?

    We walked back to the old town and procured for ourselves that most Spanish of dishes: pizza. The street noise outside our room gradually wound down in the mid evening, and the only thing that kept us awake during the night was street cleaners washing the street. Sally was rather impressed at this civic hygiene after the general grubbiness of, well, most of Europe really.

    The next morning we didn’t have a lot of time so we contented ourselves with walking around the old town. Photos:

    Anti bullfighting poster. I didn’t need any convincing, but I think the poster states its case pretty effectively.

    Bilbaoens, er, Bilbaobinites, er… Bagginses love their canned fish.

    We collected our bags, caught Bilbao’s small but perfectly formed metro to the bus station, then caught a bus out to the airport where, about an hour later, we flew out of Spain.

    Thinking about it, Spain has probably been the most rewarding country that we have visited. I didn’t have very high expectations of the place (in fact, I’d been rather put off by all the people who bang on about it), but in every way it has given us the goods, be it European sophistication (Barcelona, Bilbao), Moorishness (Granada, Cordoba, Seville), Religiousness (Semana Santa, Seville), Spanishness (Toledo), Basqueness (Bilbao). I’m probably more interested in French and German culture, but I think I’d rather visit Spain again over France and Germany. I’ve checked this with Sally; she concurs.

    November 9, 2011
    Down the Rhone and about the Cote d’Azur before looping back a bit

    We kicked off out of Freiburg with a train to Basel in Switzerland, and from there caught a train to Geneva and from Geneva to Lyon. The Basel to Geneva leg was the prettiest; we travelled through numerous rocky valleys decorated with red and yellow trees.

    Swiss bliss

    We came into Lyon in the late afternoon. The Lyon-Part-Dieu station was a bit seedy, which was a shock after the tidiness of southern Germany. We hadn’t been delivered to the central train station as we’d expected, so after a bit of confusion trying to work out how to get to our destination, we caught a bus to the centre of town which crawled around for rather a long time.

    So far we hadn’t gotten off to the best of starts with Lyon. However when we got to the middle of town we found it quite charming. We checked in and had a brief wander about the bridges over the Saône river and had dinner in a French cafe.

    Going ultra cheap (a mere 16 euros each), we had a set menu of kangaroo stew with coffee and tart for dessert. The kangaroo was perhaps an odd thing to be served in France; it was casserole grade meat and a bit on the chewy side so we can’t say it was tres magnifique, but it was dinner. We were however quite amused by the poor staff trying to translate the entire menu for a group of Chinese tourists.

    My Skippy the Bush Kangaroo impression.

    We only had the following morning in Lyon so we had to be quick about seeing the place. We got up, checked out, darted across the river, picked up some breakfast at a patisserie, ate a bit, then visited the Lyon Cathedral, a reboubtable gothic affair - not too flashy, but solid. We then caught a funicular up the hill and visited the Basilica of Notre-Dame de Fourvière, a piece of late 19th century/art noveau extravagance. According to our guidebook the Bishop of Lyon promised the Virgin a very nice church if the city was spared by the invading Prussians. Since the church was built, I guess this bribery had the desired effect. The church is wall to wall, floor to ceiling mosaics, and is impressive enough, but it seemed a bit overkill to me. The patterned ceilings it reminded me of the Notre Dame church in Montreal, except that church had a nicer colour scheme.



    We walked along the ridge for a few minutes to have a gander at two Roman theatres, and then caught the funicular back down the hill. There’s a museum of Gallo-Roman culture, but we didn’t visit it - after all the ancient crap we’ve seen in Turkey, Germany, Britain, Rome, and Greece, we didn’t think we’d get much out of yet another museum, and this from the location of Asterix and Obelix and the other indomitable Gauls! We’ve changed, man.

    We fought our way up the local cafe district and managed to secure a table and, even more miraculously, actual food. We both ordered a salade lyonaisse, which we assume is a local dish - if not, it’s an extraordinary coincidence. This salade consists of eggs and chopped up bacon with some lettuce and a small bucket of mayonaise thrown in. It was pleasant enough, although the bacon was a bit too rindy for our tastes. Certainly filled our stomachs, though. This was topped off with a chocolate mousse, of which we had no complaints whatsover.

    Salade Lyonnaise: porky in every sense.

    After lunch we caught the impressively efficient Lyon metro out to the west of the city to visit the Lumiere museum. The Lumiere family brought numerous innovations to photography in the late 19th century, the most important being the invention of cinema in 1895. The museum contained much of the important Lumiere paraphenalia and showed the earliest movies. What impressed me is that these films have been preserved, even though they’re of exceptionally boring things like people getting on and off trams and jumping on horses. You’d think by 1910 someone would have said ‘no one wants to watch that any more’, and chucked in a bin. I guess even 100 years ago there was some interest in posterity for film.

    The museum was located in Antoine Lumiere’s old mansion, all dolled up art nouveau style, so the building was a treat as well. Perhaps the best thing about this museum is that it is unique, unlike all the museums of ancient things and the numerous alte and neue kunsthauses we’ve visited, and which are now blurring in our memories.

    Me with Antoine Lumiere’s giant wooden cock.

    We returned to the train station to reclaim our luggage and catch a train out of Lyon and down to Avignon. We arrived at Avignon in the late afternoon, and dragged our luggage from the train station to the town centre. The atmosphere here was more mediterranean, and touristy, with beggars on the footpath every 50 metres or so. We’d been expecting Avignon to be a bit more villagey, so we were a little underwhelmed. The feeling of disappointment intensified when we checked into our hotel, which was a touch too cosy for our liking.

    Our first task in the early evening was to do some laundry. Our hotel gave us the location to a laundry that, as it turned out, did not exist. We referred to our guidebook, which sent us across the old town to a location that did exist. While the washing machine did its thing we looked around for promising eateries and found none, so we ate at subway, where picking salad in French proved an entertaining experience.

    The next morning I had a bit of a strop over how exhausted I was. We had been travelling for four weeks and I was starting to find the travel routine more monotonous than invigorating. Our solution was to take it easy for the morning and go out in the afternoon.

    We started out slowly by having afternoon tea at a local posh hotel. The place was 5 star (according to Sally it was a mind-boggling 400 euros a night to stay there) and we had the cheek to wander in in shorts and t-shirts, but we were treated well.

    Afterwards we visited the famous bridge of Avignon (so famous it has its own song!). This ediface was founded on the exhortations of Saint Bénézet, who got the word from God, and came down from the hills to tell everyone what needed to happen. On meeting some scepticism from the locals he miraculously managed to move a large rock, which apparently enabled him to gain resource consent for the bridge’s construction.

    Today the bridge stretches out into the Rhone, but doesn’t quite reach the other side. We walked about on it and listened to our audioguide, which jovially told us about all the crazy carry on related to the history of the bridge.

    Avignon’s primary claim to fame is that it was the seat of the Pope for several decades in the 14th Century. Our next destination was the Palais des Papes, the palace from which the popes ruled. This complex wasn’t particularly attractive, being a series of towers strung together in a semi-defensive fashion. The various halls, chambers and chapels were only sparsely decorated (or only sparse amounts of decorations had survived). We had an audioguide for the palais as well, but unfortunately the rooms all seemed to serve rather tedious administrative or religious functions, and audio descriptions of this sort of thing isn’t that exciting. Indeed, the overriding feeling the palace conveyed was one of boredom. In the end we went up to the roof and took photos of the sunset. One the sun had gone we left the palace complex and visited the adjacent garden and took more photos of the pont du Avignon in the twilight.

    Our next objective was dinner and we walked down some likely streets until we found a Vietnamese-Chinese restaurant. Picking dishes described in French was proving impossible until an aged lady on the staff proved to have a magnificent command of Cantonese. After that, everything went swimmingly and we had a great meal.

    The next morning we caught a bus from the Avignon bus station, the dingiest, dodgiest looking place you can imagine - it made the New York bus station look positively congenial by comparison. Our destination was Pont du Gard, the best-preserved Roman aqueduct. We wended our way around the countryside for some 45 minutes, which gave us a bit of time to take in the Provencal landscape. I have to say that, although people do bang on about Provence being so marvellous, it looked a bit dessicated and drab on this day. Admittedly it was overcast, but I was left with a suspicion that much of the romance of the place is probably provided by the the local grape crop. Certainly, compared to the seasonally psychedelic woodlands of Bavaria it was a touch underwhelming.

    As for Pont du Gard, well you can’t call that underwhelming. Even before we got to the aqueduct itself, the visitors’ centre was quite breathtaking, and the main event certainly did not disappoint. We took photos from one side, crossed the river via the bridge adjacent to the aqueduct, took photos, climbed a hill to a lookout, took photos, got mildly lost trying to find our way back down, took photos of a nearby cave (palaeolithique), took more photos of the bridge, crossed back, walked up the hill behind the aqueduct, and then walked back down again. I think we may have taken a photo or two then, as well.

    It was a classy area. The local rock was none of your yucky greywacke or limestone like back home, oh no. It was marble! I half expected to see the limb of a god to be sticking out of the ground.

    The reason for our thorough perambulations around Pont du Gard was that the next bus wasn’t until well after lunch. We assembled at the bus stop when this vehicle was due, in the company of a small collection of asian tourists. The bus didn’t show up for half an hour, however, causing us a bit of consternation. Had we got the timetable wrong? Was the bus cancelled?

    Happily the bus did turn up eventually and we were transported to Nîmes, another town sur la Rhone. Our chief reason for visiting Nîmes was its splendid Roman arena, more complete than the Colosseum in Rome, if somewhat smaller. We were conducted around this edifice by an english electronic audio guide, which went into more detail than perhaps was necessary about how animals were murdered, criminals were executed, and gladiators fought each other to the death. I felt a knot in my stomach I hadn’t experienced since CLAS207 (Roman Social History) - a sort of nausea at how hideous the romans were.

    ARENA OF DEATH.

    Worse still, bull fights are still conducted in this arena, so there’s an awkward continuity from the past to the present. Not terribly elevated by the place, we ended up hurrying through the tour to get out as quickly as possible.

    We wandered up Nîmes’ main road, and had a look at a gallery designed by Norman Foster (him again). It wasn’t that flash, looking a bit like a public library putting on airs. Nearby is a fairly intact Roman temple dating from the time of Augustus, only slightly marred by a group of French youths hanging all over it.

    From there we walked over a canal and into a garden littered with modern copies of classical statues, and a nice ruin of another Roman temple. With dusk falling we returned to the station, passing through the narrow, winding streets of the mediaeval old town. This part of the city was actually rather good. It was Halloween, and people were getting up in their outfits and we found two city fountains pumping out pinky-red water. We weren’t sure whether this was a municipal Halloween measure, a private prank, or if the fountains really needed their water changed.

    FOUNTAIN OF BLOOD.

    Our cheer vanished when we reached the train station. We needed a seat reservation to travel back to Avignon, and we joined the ticket queue. 45 minutes later we had missed two trains, but we had our tickets - and another 50 minutes to wait. Does it need saying? Hell, why not: the French rail system is pretty hopeless, and if you compare it to the German rail system it comes off as almost Italian. There, I said it. Almost Italian.

    We came back to Avignon at about 8, tired and annoyed. We ended up getting takeaways from the Viet-Chinese restaurant from the night before, because we couldn’t face going through the slow motion carry-on of French service.

    The next morning brought Sally a new cold, and we checked out of our hotel rather later than we wanted, and made the long march to the train station. We bid Avignon farewell. There are some nice parts to the town, but at the same time all the evils of tourism have been visited upon it, and we were quite glad to leave.

    Our destination was Arles, most famous for being the brief of haunt of van Gogh. It’s another town on the Rhone. We arrived around midday and dragged our luggage for a kilometre along cobblestones, a surface guaranteed to frustrate and irritate. We eventually sweatily reached our hotel and checked in. We then went in search of lunch and had a delicious meal at a nearby creperie. Now full of crepes, we then went on a bit of a walking tour of the town, taking in Roman ruins, narrow ‘old town’ streets, and spots where van Gogh did a bit of daubing. The most notable of these places was a spot in the mental hospital where van Gogh spent a bit of time after attacking Gaugin and then chopping off his own earlobe. The courtyard of the hospital was quite nice, and still painted yellow like it was in van Gogh’s day. A further sight of note was the place de la republic with its obelisk and depressed Heracles fountain, where the lionskin-donning demigod was having a perpetual chunder:

    Blurgh.

    At one end of the square was a mediaeval romanesque church featuring a freaky relief around the entrance.

    The chief pleasure of wandering around Arles is that it only took a couple of hours to see everything. When we were done we returned to our hotel and had a bit of a break. Our room wasn’t large in area, but the ceiling was perhaps 15 feet high, so volume-wise it was quite spacious.

    Outside the skies opened and a thunderstorm took up residence. We waited as long as we could but there was little let-up in the weather and eventually we had to face up to the prospect of venturing out in search of food.

    We’re not sure if it was the weather or that it was All Saints’ Day (a public holiday in France), or both, but all shops and most restaurants were closed, and we practically had the centre of Arles to ourselves. We ventured down the narrow streets, rain gently falling on our umbrella, while above us the sky would flash and thunder would follow. It was rather exciting.

    We ended up eating at (yet another) Vietnamese establishment, almost the only thing open. Afterwards as we walked back we enjoyed more lightning. I say we, but Sally’s not that fond of thunderstorms. However, I managed to prevail upon her to do a circuit of Arles’ Roman amphitheatre so we could see lightning flash over it. This theatre of death is more ruined than that of Nimes, but still functions as a bull ring. Consequently we didn’t visit it earlier. In a thunderstorm hoever, the place’s sinister nature became something of an asset. Indeed, the night felt a lot more Halloween than had Nimes and its pink fountains the day before. Eventually Sally managed to get me indoors, but I continued to listen to the thunder rumble away into the late evening.

    The next morning we reluctantly checked out of our lovely hotel and got a taxi to the train station. Our destination? Nice on the French Riviera.

    We caught the train to Marseille, and a further train from there on to Nice. The comparatively flat Provencal countryside gave way to hilly, cliffy land on the coast. The hillsides were dotted with stylish beach houses (no crappy cribs here), while the towns boasted numerous multistorey condominiums, with their harbours festooned with expensive pleasure boats.

    By pure coincidence we happned to be rolling into Nice at the same time that a G20 Summit was being held at nearby Cannes. Cannes was completely locked down and no protestors were allowed in, so G20 protests were being held in… Nice. In consequence we weren’t sure what things were going to be like when we arrived in Nice.

    G20 protest poster (we assume) seen earlier in Avignon.

    We exited from the train station in Nice to find the environs to be a hellish warzone. This was nothing to do with the G20 protestors, however, it was just the nature of the place. Alcoholics, gypsies, and alcoholic gypsies were sprawled in clumps over the pavement while all around shops sold crappy souvenirs and kebabs, and little of any merit was to be beheld.

    Never that happy to find that our destination was a dump, we grumpily dragged our luggage into the centre of town and checked in to our Ibis hotel. We then walked out to the Musee Marc Chagall. Chagall was a Russian-born painter who did a lot of religious paintings featuring simple, graceful figures painted in luminous colours. It was charming, in a childlike sort of way. The museum wasn’t very large, however, and we ended up churning through 9.50 of entrance fee in 20 minutes. The quality of the exhibits was high, but it would have been good if there were more of them.

    A daubing by Marc Chagall.

    We caught a bus further up the hill and visited the Matisse Museum. This institution contained a few Matisse paintings, a few of his coloured paper collages and a lot of pencil studies for paintings, as well as some furniture he used to have and other artefacts.

    After being to a few museums dedicated to a single artist we have become a bit wary of them. The issue is largely to do with how representative the art on offer is. If the artist was prolific (e.g. Magritte) or worked in a medium where pieces can be easily replicated (eg Escher with his lithographs or Rodin with his bronzes) all should be well. With Matisse, however, all his good stuff is in the best museums around the world, and this museum, although dedicated to him, is left only with interesting scraps, and is therefore unsatisfying. Happily the museum was free, so we have absolutely no grounds for complaint. Also, the toilet was good.

    After this we walked around some gardens and surveyed the city from a lookout. We also ventured into a posh cemetary where we were promised Matisse’s grave, but we couldn’t manage to find it. Still, the crypts of other great and good families of Nice were pretty impressive.

    At dusk we caught a bus down the hill and visited a Japanese restaurant our guidebook had recommended us. Although everything was done up in a Japanese style there were puzzling gaps in the menu and the staff were a bit surly. Sally explained this: the restaurant was run by Vietnamese; in fact every restaurant be it Chinese or Japanese or Thai or Vietnamese seemed to be Vietnamese-owned/operated. There’s a similar phenomenon in Wellington, where many Japanese restaurants are owned and (at least partially) staffed by Chinese. In any event we had a rather unsatisfactory meal, and left vowing to give the asian meals a rest for a while.

    After dinner we strolled about the main avenue. The centre of town was a bit more pleasant than around the train station. There were police everywhere; apparently 15,000 gendarmes were in operation for the G20 conference and it seemed a good number of those were in Nice. Of protestors themselves, there was no sign whatsoever. Disappointingly.

    Back in our hotel room we watched on BBC World the spectacular self destruction of Greek PM George Papandreou, who affronted the EU by taking the compromise they’d carefully stitched together to spare a Greek default and announced he’d be putting it to the Greek people for them to approve. Until then they hadn’t had any choice in the matter, and even now the choice was between accepting the package and financial oblivion.

    There was frenzied journalistic speculation it was all internal Greek political brinkmanship, but it seemed to me like upping the ante from tragedy to comedy (both Greek inventions, of course). The main outcome of all these shenanigans was that the G20 junket was looking likely to be dominated by Greece and its hilarious hijinks.

    The next morning we set out for Antibes, about half way between Nice and Cannes. It was 20 minutes by slow, slow train, and we were able to observe police stationed on every overbridge. At one point we saw a convoy of police cars and a big black car with the Italian flag fluttering off it and we fancied that perhaps that great Italian lothario Silvio Berlusconi might be on board, but who knows?

    Antibes is a charming enough little fishing village that has been transformed into a giant marina for rich boys’ boats. Amusingly the local real estate agents post pictures of yachts rather than houses (does this happen in Auckland??). We wandered around idly and attempted to get near a giant statue of a nomad made up of letters, but access was locked off.

    It’s for sale, if you’re interested.

    We next visited the Antibes marche, or market hall - in this case a marquis over stalls selling veggies, spices, cheeses and other French comestibles. Sally pointed out that she had this romantic notion about these markets, but when we actually visited them she found nothing she could practically use and/or wanted to buy. Fancy a string of onions?

    We eventually reached our destination, a Picasso museum. This would be the third such museum we’d visited. After the disappointment of the Matisse Museum the previous day I was a bit suspicious that this museum wouldn’t be that good - indeed the previous Picasso Museums we’d visited hadn’t been that great either. The  works at this museum were largely created by the Picasso in Antibes over a short period in 1946. At this time he was in a cheerful mood on account of the War being over, and the subject matter of the paintings on offer were chiefly fish and fauns and satyrs and suchlike. There was also some ceramics, which were gaily painted. It was all rather jolly.

    Equally as interesting as the artwork was the museum itself, an imposing stone building almost flush against the water’s edge. The day we visited was overcast and the wind was howling in, and we looked out windows at a sea fair frothing over. As you can imagine, it felt much like being at home, and I was rather taken with the overall vibe.

    Rather abruptly at 12:00 the museum closed for two hours. Those French and their two hour lunch breaks! We’d seen all the Picasso works so we weren’t unduly outraged. We weren’t sure what the Japanese G20 delegates who had just turned up would have made of it though.

    We surveyed the town for a restaurant and settled on a Italian place. We went all out on the three course meal, and had rather a good time. Then we sauntered back up the windy hill to the train station, stopping now and then to admire the models in the boat builders’ offices. Then we were on a train and heading west.

    Our destination was Monaco, the famed site of a rally, a grand prix, an outrageous tax haven, a casino, and a second rate royal family. You can be sure that I have never in my life had any interest in visiting Monaco, but Sally was keen, and well, we were in the area…

    The train station was an impressive underground lair, but soon we were out among the amusement park rides near the marina. The marina itself proved to contain a number of ridiculous boats. It is odd that while I don’t have a nautical bone in my body, I am attracted to the romance of having a luxury boat, just to be able to live on it. Indeed if I had one I doubt I’d ever leave shore. I’d just hang out there.

    From the shore we looked back up the hill at Monaco’s theatre-like bowl. It was a giant cascade of terraces hosting ghastly luxury high-rise apartment blocks. It was an odd sensation looking over the place, because it was like being in a James Bond film, or a lower-grade action flick, perhaps something by Luc Besson, possibly starring Jason Statham. Turn round to the marina though, and suddenly we were in a John Woo production, possibly starring Chow Yun Fat as Tequila, the cop who breaks all the rules. In any event, you couldn’t call Monaco subdued.

    Monaco: just like Wellington, really.

    Sally makes a friend.

    We kept to the shoreline and ended up face to face with the imposing Oceanographic Institute, which (we found out later) was at one point headed by Jacques Cousteau. We got an elevator up the hill, walked around the old town, stood outside the palace, and puzzled over the dreadful uniforms of the palace guards. We then decided that a visit to the casino over at Monte Carlo would probably be a waste of our time, so we opted to return to the train station and head back to Nice.

    That evening we had a further look around the centre of town, and had a nice meal at a restaurant where we were the sole diners. It was a bit unnerving, but the proprietress was nice enough and there was Mozart and plenty of him over the speakers. There was a tranquil feeling of all-was-wellness. When we settled the bill the owner insisted we must not tip her as we should save our money for ourselves. They’re a funny bunch, the French: some won’t give you the time of day, and some are extraordinarily friendly and generous.

    The next morning we were due to leave Nice but we realised we’d rather neglected the best part of Nice itself: the waterfront and the famous Promenade des Anglais. We had a little bit of time and we scooted down past the clumps of armoured police and along the impressive Place Masséna, with its fruity sculptural group of Apollo with horse hair flanked by campy wing-helmeted blokes and their horses/cattle. We crossed the road past one of those giant rust iron sculptures that are de rigeur these days, and made it to the beach. The water was azure, as advertised, though it was quite rough, and rain was beginning to fall. It’s unfortunate that all the times we had seen the Riviera shore up close (in Antibes, Monaco, and now Nice) it was high tide. What we could see of the beaches though was quite stoney, a far cry from what you imagine - golden beaches laced with lithe topless beauties…

    Fruity.

    We trudged back to our hotel to collect our baggage, and the rain got going in earnest. We marched back to the station and it was fair pelting down. We mounted the train, banished our coats to the luggage rack, and settled in for 2.5 hours’ travel back to Marseille. The most notable part of this trip was how sauna-like our carriage became as everyone’s wet clothing emitted steam and train’s heaters remained locked. It was late teens temperatures outside so it was a bit tropical by the end of the trip - so much so that we had to take refuge out the back by the toilet. It’s testimont to how bad conditions were in the carriage that we preferred the urine and cigarette stench of the toilet instead.     
    Our second trip was to Carcassonne, a town nearish the Spanish border famed for its castle. This ride took about 4.5 hours. The carriage was at least a reasonable temperature, but it was a bit wearying. The countryside remained pretty dry, with grapes the main crop. It was interesting to discover the variety of grape vines cultivated, ranging from big tree-like vines to spindly little vines that you could scarcely imagine being able to muster a single grape.

    At stages the rain was quite torrential and there was even a bit more lightning. I hadn’t really given much consideration that late autumn might be a bit of a problem weather-wise. Still, choosing between rain and torrential torrents of tourists, and I’ll take the rain any time.

    Our train was half an hour late arriving, and we got to Carcassonne after dark. We caught a bus up the hill to the castle, and ventured in, as our hotel was inside. From this you might imagine we were in some grand keep, but actually the area within the castle walls is quite large and accommodates numerous elderly but non-military buildings. In one of these we spent the night, in a room on the top floor.



    Sally had been ill now for several days (in fact she hadn’t really been right since we arrived in Germany). The next morning I went out and raided a chemist for cough syrup, flu tablets, and tissues. After vigorous application of these medicines Sally was well enough to venture out.

    The castle city was as interesting as it sounded, although the souvenir shops took the gloss off a bit. The main part of the castle was 13.50 to get in, and we’d been advised it wasn’t worth the money. Instead we wandered around the defensive walls and cobbles and soaked up as much mediaeavalism as we could. It wasn’t too bad (especially the magnificent old church), but the weather was still a bit rough and we realised that we’d been in France for a week and only seen sun in Avignon. Indeed now 5 weeks in we were starting to tire a bit.

    La Cite in Carcassone: buttressed.

    We had a nice dinner in a restaurant within the castle walls. Sally realised that we hadn’t had any wine in France so we ordered up half a litre of house white. Sally went easy on the vino for various reasons so I was left to tackle the lion’s share. I can hold a half pint of beer a bit better than I used to, but I’m out of practice with wine and didn’t so much walk out of the restaurant but cheerfully float.

    The next morning just after 7am, in darkness and yet more rain we left the castle for the train station and made our way out of Carcassonne. This concluded our French travels. It might be the time of year but we didn’t find the south of France very glamorous at all - generally grubby and often frustrating. On the upside, it was always fascinating, and we got a few good laughs in.

    October 30, 2011
    Bavaria

    We got dropped at Prague station for what we thought was a train to Nuremburg, but turned out to be a coach. It was a fairly well appointed coach, with power sockets and a toilet, which was good because the coach was 4 hours non-stop! We sat up the back adjacent to a party of high school students.

    The ride was generally pretty good. Sally slept and I listened to various bits of music. The countryside rattled past, Czech farmland gradually turning into hilly semi forest. Lots of fir trees, and deciduous trees with leaves yellowing in autumn. It was pleasant.

    I’d never considered visiting Nuremburg, as it had too many associations with Nazi rallies and Nazi war crime trials for me to look around without any mental baggage. Is it any good there? Oddly, when I bought a kangaroo burger (a bit like venison, if you’re interested) from an Australian guy back in summer, and I mentioned we were currently planning a trip to Germany, he said he’d always wanted to visit Nuremburg. I thought he was nuts, and kind of said so, but now I’m wondering, what if Nuremburg was otherwise a perfectly blameless city but for a fairly brief episode of history?

    Well, we didn’t find out because we had another train to catch about 15 minutes after arriving. We ended up catching three trains across south western Germany to get to the village of Rothenburg.

    Rothenburg is a village on the so-called Romantic Road, which travels about 400km through southern Germany, taking in numerous mediaeval and fake mediaeval houses, churches, along with your more contemporary rivers and mountains. And plenty of horse-drawn coaches. And horse dung.

    We checked in to a small pension in Rothenburg manned by an elderly fellow named Erich and his slightly ethereal son Claus (if you ever find yourself shaking the hand of a man who says “Hello, my name is Claus”, you’ll find you’re having quite an experience). I was a little dubious about the authenticity of Erich’s teeth, but otherwise he, his son, and his establishment seemed absolutely lovely.

    After all the bussing and train-catching it was very late in the afternoon, but we gamely spilled out onto Rothenburg’s cobbled streets to get in some sunset shots.

    Rothenburg’s buildings were certainly very distinctive, but perhaps the best element was that we were not stuck in middle of a large city. Refreshing, so it was. And refreshingly cold!

    After we’d wrung the last drops of sunlight from the sky we marched into a restaurant our guidebook recommended. We ordered the set meal and then supped the best pumpkin soup we’d ever tasted (sorry, mums!), munched our way through some hearty if slightly bland German mains, and had a very nice bit of German apple strudel for desert.

    It was a fairly ordinary meal, but there was one revelation: the restaurant staff were not only polite, they were friendly. After our ambivalence with northern Germany and our disappointment with Vienna, we were feeling that the stereotype of the Germanic race as dour, humourless automatons wasn’t being challenged much. The Bavarians, however, seemed a bit warmer, which is of course confirmed yet another stereotype…

    We woke up the next day keen to get out and see more of Rothenburg. This we duly did. Here are more photos!

    “Houh duk yee!”

    At around midday, we hopped aboard a coach to take us down the Romantic Road. Our group was 40% Japanese, 40% American, and the rest were Canadian/New Zealand (us). I think some Germans got on later.

    The Japanese absolutely love romantic Germany, and I suspect they would find Germany a bit easier to handle than France. As for the Americans, they blathered away a little too loudly, so we learned a little more than we ever needed to know about working in the pharmaceutical industry, for example.

    The trip down the road was fairly enjoyable. We had numerous stops in quaint towns similar to but not as nice as Rothenburg. The ride was long, however: nearly 6.5 hours! We stopped stopping around about Munich. The sun set, and to help pass the time Sally listened to a good proportion of the collected works of Kraftwerk, Germany’s biggest contribution to popular music.

    Kraftwerk’s most famous song is probably Autobahn, a 22 minute tribute to Germany’s motorway system. For much of our trip we were travelling down the autobahn too. In the fast lane you can drive very fast indeed (for much of the road there are no speed limits at all), and we had lots of cars whizzing past us, even though we were driving in the same direction. For fast cars driving the other way, well they were just a blur. Despite these reckless speeding non-regulations, the Germans has half the road deaths per capita that New Zealand has.

    Our destination was a small town called Füssen, nestled in the foothills of the Alps (the Austrian Alps, to be precise). We arrived there at 8pm, found the supermarket had just closed, checked in to our pension, and wandered around in search of food. Despite the town feeling deserted, we managed to find a rather good and relatively cheap Vietnamese restaurant.

    The attraction of Füssen is that it is adjacent to the famous castles of Neuschwanstein and Hohenschwangau. These are 19th century structure built by various kings of Bavaria in what they believed to be the romantic tradition, though in reality the designs had more to do with their febrile imaginings than the mediaeval past.

    We had had a glimpse of these castles hulked against the twilight sky as we drove into Füssen, but we wouldn’t visit until Monday.

    Sunday proved to be quite frustrating. Sally had caught my cold and she was at her most ill (in the non hiphop sense) that day. Also, Füssen’s shops, apart from pubs and restaurants, were all closed. We had rented a pension with a kitchen so that we might do a bit of cooking: we’d now been 3 weeks on the road and we were getting a bit tired of eating out constantly. The problem was that with no shops open we couldn’t buy anything to cook with. Not even a solitary dairy! In the end, all we managed to procure was cake from a nearby patisserie. That night we dined on our emergency supplies: couscous and meatballs, with some Japanese rice seasoning on top just to make things interesting.

    While indulging in all these runnings about we also saw a bit of Füssen itself. The town was pleasant, which a decent complement of old buildings, but it didn’t have the charm of Rothenburg.

    What did have charm was our pension, which was stacked with old furniture, including some remarkable painted freestanding wardrobes. I’m guessing they were in a (real or imitation, I don’t know) 19th century Bavarian style. The swan is the major symbol of the area, so there were swan-based decorations everywhere. It was quite a pleasant place, the only downside being that the wifi was notoriously unreliable. I suppose we should probably see wireless (or indeed any) internet as a luxury, but it’s rather become a necessity for us.

    Monday dawned and it was freezing. We caught the bus out to the ticket office and carpark for the two castles. Our first stop was Neuschwanstein (literally ‘new swan stone’). This castle was built by ‘Mad’ King Ludwig II of Bavaria, a notoriously eccentric Bavarian monarch who was a nut for Wagner and sought to render the Wagnerian world in stone.

    The chief difficulty I have with Neuschwanstein is that Disney used it as a model for its own syrupy evocation of fairytale worlds, and the castle can’t live down this association, in my mind. However, you know, if you’re in the area, you certainly have to have a look.

    We were going to catch a shuttle up to Neuschwanstein, but when we found the queue for the shuttles comprised at least two coaches’ worth of Japanese tourists, we decided we’d walk instead. In the cold air, and with Sally ill and me not fully recovered, this didn’t prove to be a good idea. Nonetheless, we arrived at Neuschwanstein in time for our tour.

    The half hour tour took us through those bits of the castle that were finished when Ludwig died (in mysterious circumstances, shortly after being kicked off the throne by a government indignant at all his high-spending ways). Each room was overdecorated with scenes from Wagner operas. One room was even styled as a fake cave. I kid you not. The throne room, done in Byzantine style, but a bit over heavy with the gilding, was probably the least attractive. Elsewhere, though, somehow I came away quite liking the place. It was definitely ridiculous, but after seeing all those imperial palaces, where things were done in an opulent fashion really just to show off, well at least Ludwig was genuinely passionate about what he was doing. It might be a monstrosity, but it’s a sincere monstrosity, so I salute him for it. As for Sally, she liked the place and took as many photos as she could - as she always does, in fact.

    After extricating ourselves from the Neuschwanstein gift shop we walked further up the hill briefly to look out from the high, high Mariabruecke (Maria’s Bridge). While taking photos there I realised I was having the start of a migraine, with aura and everything, the first I’d had (by my reckoning) in 12 years. Sally was also starting to feel worse. We attributed both afflictions to our walk up the hill earlier.

    Coming down the hill worse than we went up it, we had a brief snack and then embarked on our scheduled tour of the other castle, Hohenschwangau. This castle was restored by Ludwig’s father after Napoleonic forces had wrecked it. It’s not as fanciful as Neuschwanstein, but it makes up for it by being lighter and brighter. It turned out the Bavarian royal family is still about, although reduced to a duchy, and they actually own and maintain Hohenschwangau (Neuschwanstein being state-run).

    Hohenschwangau: comes in yellow.

    Afterwards we had a good look at the adjacent trees, mountains and lakes:

    After waiting in the cold for a while we caught a bus back to Füssen, went to the supermarket, bought some food, went back to our apartment and cooked up a combined lunch and dinner. Even though it was me who cooked it (with Sally ailing gently on the couch), it was agreed by all to be the best meal ever!

    The next morning we checked out of our pension and caught a two hour train to Munich. We looked out over more genial countryside. The chief interest was the prevalence of solar power panels on the roofs of houses. We’d seen a bit of this in Belgium, but the Germans seemed to be really going to town. After some ‘research’ on Wikipedia I can tell you the Germans generate 2% of their power from solar energy. That may not seem much, but it represents 18GW, which is double the generating capacity of all of New Zealand. Not sure how cost-effective or environmentally sound this is once you factor in manufacturing, installation and ongoing maintenance, but I’m certainly impressed that they’ve gone this far.

    We arrived at the large Munich Hauptbahnof around 1pm and we dined in a marvellous restaurant called Burger King. It may seem uncouth to eat in a fast food restaurant while travelling, but I tell you, once in a while, it’s brilliant!

    We caught the S-Bahn to Marienplatz, more or less the centre of the city, and strolled down the pedestrian only sector almost all the way to our pension, where we were met by the proprietor Christoph, a cheerful Munchener who gave us an excellent overview of the city and what there was to see and do.

    Woof.

    Me and the Munich town hall.

    We only had two days in Munich so we decided to tackle the art galleries in the Kunstareal (museum quarter) straight away. We were aware of three - the Alte Pinakothek, the Neue Pinakothek, and the Pinakothek Modern. Luckily all these museums are in the same spot, which makes visiting them much easier.

    We walked north for about 20 minutes to reach the Kunstareal. It turned out that on Thursday the Neue Pinakothek is closed, but the Alte Pinakothek is open until 8pm, and the Pinakothek der Moderne is free. In addition, there was another art gallery on the site, the Museum Brandhorst, which contains ultra modern art. It was all a bit much to process, but we didn’t spare much time to ponder it. First we visited the Pinakothek der Moderne, which has a decent collection of early 20th Century German Art (Blaue Reiter and Die Brucke schools, as well as Max Ernst and Otto Dix), as well as Picassos, a Miro, and a Dali. On the more recent front, there was an exhibition of crushed car sculptures, and striplight art by one Dan Flavin (like Ralph Hotere but with coloured lights). And some Warhols.

    In the basement some space is (almost grudgingly) given over to design, including a selection of old fashioned computers and cars. It was funny to see a Macintosh LC in a museum, given that when I got my first proper job I was installing them for academics to get them off their (even more venerable) Macintosh SEs!!! OMG, etc…

    Next we visited the Museum Brandhorst and found that its flamboyant exterior was not matched on the inside. There was a exhibition of crushed car sculptures, and striplight art by one Dan Flavin. And some Warhols…

    Museum Brandhorst: more interesting to look at than go inside.

    In fact it was hard to find a differentiating factor between this museum and the Pinakothek Moderne. I figured there might be more prominence given to new art, but apart from some overwrought video installation by one Isaac Julien, who is 50, everyone else seemed to be old or dead. To be fair, Cy Twombly who has much of the top floor devoted to his (kind of dull, I have to say) scrawlings, has only recently died, but still. One good thing that came out of the museum is that it displays some of Warhol’s later 1980s prints, and these were actually quite good (once you get away from the Marilyn Monroe and Elvis heads, or those bloody Campbell’s soup tins, he’s a bit more interesting!).

    From there we visited the Alte Pinakothek, which contains numerous works by old masters. The largest painting by far is a six metre monster by Rubens, the subject being the ever-cheery Day of Judgement. There’s also a smaller Botticelli showing the deposition of Christ, along with a Brueghel painting of three stoned burghers (maybe a Big Smack Combo?!? Actually, Big Smock Combo is funnier) and a smouldering Durer self-portrait. The gallery was mostly empty, which was good, but it also meant we were under the most scrutiny by the assembled guards. All museums have an attendant in each room to ensure no photos are taken, no paintings damaged, and no paintings nicked. Unfortunately the Germans seem to do this work more assiduously, staring at us as if we’re about to take off with their prize Da Vinci at any moment. This may be more perception on our part, than reality, but the Germans do seem to make us more uncomfortable than others.

    Big painting.

    After the galleries we walked back into town and ate at a vegetarian restaurant. This was an attempt on our part to get more vegetables in us, but I fear my malai kofta wasn’t of great nutritional value. Tasted good though.

    The next morning we visited the Deutsches Museum, the equivalent of London’s Science Museum. Our guide book had warned us it was a bit dated, but it was in actuality a lot dated. The computer science section contained numerous ancient machines, to the point where it was hard to tell which was an intentional museum piece and which was a ‘modern’ computer that happened to date from when the exhibition was first built. (We found one interactive display showing on a PC with a 386 badge, which, if that was indeed the chip now running on the box, would make it a very old working machine indeed.)

    Japanese computer keyboard from the 70s.

    There were some good bits. There was a copy of the Altamira cave paintings, and the bit on telecommunications and sampling rates was quite fun, along with a practical demonstration of blue screening, which allowed us to make epic fools of ourselves:

    Sally doing an alpine hula dance.

    Dancing like yer grandad: it’s Stuart!

    The highlight for me, though, was a working Theremin, an electronic music device that can be played by the motion of hands in the air itself, and has been used in numerous horror and SF films. Sally and I made it warble a bit, although we lacked the control to be able to play tone intervals or indeed any kind of discernable notes.

    After the Deutches Museum we caught the U-Bahn out to the Olympic Park, site of the 1972 Munich Games. Our destination, however, was BMW Welt. After visiting the more modest (in many ways) VW factory in Dresden, we decided to give BMW a go.

    The spiralling glass and steel BMW Welt building was all tedious branding and other hollow razmatazz, but this was just the beginning of our journey - we had booked a tour of the BMW plant itself. Armed with earpieces transmitting the boggling statistics provided by our guide, we strolled about the factory for two hours, watching steel being pressed, parts soldered together, the extensive coating and painting process, and the final assembly of the constituent parts into the final luxury product.

    GESTALTER DES LICHTS. It’s funnier to read this sort of cobblers in the approximate voice of the singer from Rammstein.


    The big star of the tour was the robots. There were over a thousand of them in the factory, and each performed their graceful tasks with exquisite precision - to 0.2mm! There was a hypnotic feeling to watching the robots do their thing. They were clearly lifeless automatons, but it was easy to imagine some kind of agency behind the repetition.

    Here’s Kraftwerk’s take on robots:

    The plant produces (or aims to produce) around a car every minute, or (accounting for 16 hours of productivity daily) about 1000 new cars each day. Many of them go to China. What was more interesting is that these were German cars built with (largely) German steel, built by (entirely) German robots. It is no wonder the Germans are so wealthy - not by historic accident of having oil under their ground, but by careful cultivation of a high tech society over many years. If you’re sufficiently interested, this Guardian article reflects on this situation, with interesting comparisons to Britain.

    The next morning we found out that the EU and IMF had hammered out a deal for Greek debt. Given the German taxpayer is footing the bill for this (again), I couldn’t help asking our inn proprietor Christoph at breakfast what he thought. He felt it would help, but it wouldn’t get to the heart of the problem, which was Greek corruption. He also thought Italy was almost as bad, and even that the European Commission itself was corrupt. Seemed a bit grim.

    We left Munich feeling that it was easily the big city we had enjoyed the most in Germany. Before checking out I observed to Christoph that Bavarians seemed more cheerful than those in the north, and he just laughed and said “We get more sun.” This seemed rather tactful: if a visitor to Wellington said “You’re better natured than Aucklanders”, I’d be saying something sour like “Yeah, that stuck-up bunch”.

    We caught a train from Munich to a place called Mannheim, and from Mannheim to Freiburg, a university town which turned out to have a cathedral made of BLOOD RED STONE (or, less melodramatically, pink sandstone). Some pics:

    We didn’t do much in Freiburg as it was a stopover while travelling west, but we had a bit of a wander about and the place seemed very pleasant. Would be good to be a student here, I imagine.

    This was the extent of our time in Bavaria. Apart from illness in Füssen we had a thoroughly pleasant time there. We probably got a better feel for the Germans too, this time around. When in Turkey we quizzed our Polish friends Pyotr and Agathe about the Germans, as they worked in Germany. Well, I didn’t so much quiz as just say “We find the Germans a bit strange.” A huge grin gradually lit up Pyotr’s face and he said, with great feeling, “They are very strange.” I guess after an extra week in Germany we can say they are still pretty odd, but we at least feel a bit more fondly about them than we did.

    October 26, 2011
    Prague

    We caught a train from Vienna, and were soon over the border into the Czech Republic. The countryside was nice; rolling fields and trees - very European.

    We stopped at a town and a whole lot of mostly men in black suits piled on. At first I speculated that they were part of a wedding party, or perhaps a squad of Orthodox Jews. When they started singing arpeggios in the various compartments down our carriage, it was apparent they were a choir gearing up for a performance. Prague’s reputation for ubiquitous classical music seemed to be getting confirmed here.

    We arrived at Prague in late afternoon gloom. There was a mixup with the time for our transfer, and we were on the platform for a better part of an hour. When we were picked up it was raining heavily. Our driver, a huge hulk of a man, picked up our 30kg of luggage like it weren’t no thang. As we drove slowly through considerable traffic congestion, his car reported that it had only 35km of fuel left, and that one of the brake pads needed seeing to. Prague’s taxi drivers are apparently notorious for gouging prices and being mafia controlled(!). This bloke was good though.

    We were staying at the grandly titled Monastery Residence, which as the title implies is a converted Monastery. Our room was split level, with the bed in the loft, and was pretty good!

    After checking in we had dinner at a nearby restaurant called the Malay Buddha, but seemed to do more Vietnamese food. There was a bit of a new age ethnic vibe; certainly the food and decor was more elaborate than the striplight formica tables and tubular steel chairs decor of standard Vietnamese cafes. In fact we were seated in an alcove festooned with copper leaf buddhas and fruit offerings, with only 3 tea lights for illumination. We couldn’t really see our food, but it tasted good, with heaps of fresh veggies. Not very Czech, mind you.

    Me eating dinner, dimly.

    The next morning we kicked off our exploration of Prague by visiting Prague Castle. Our first stop was St Vitus Cathedral, and excellent blackened gothic number slightly reminiscent of Cologne Cathedral, but quite a bit smaller. The chief wonderment, however, was the stained glass windows, which in the early morning sunlight blazed with intense colours.



    We then visited the St George’s Basilica, which dates to the time of good King Wenceslas’s grandmother. Build in Romanesque style, the church is austere but kind of cosy.

    After this we visited a selection of attractions within the Prague Castle walls: Prague Castle Museum, the Imperial Apartments (including a window with a nice view that apparently people got thrown out of), the Golden Lane (picturesque narrow mediaeval lane), and the Palace Gardens). The problem was that these attractions tended to throng with tour groups (American, Japanese) which tended to limit our enjoyment. What’s more the attractions weren’t that compelling to start with. In the end we wandered out of the castle grounds without seeing everything.

    On Golden Lane.

    Us and the view from Prague Castle.

    The tourist hordes were especially impressive given it was only about 10 degrees. If Prague could be so crowded in mid-late October what on earth must it be like in July??

    Our next stop down the hill was Saint Nicholas’s Church, a baroque affair with marble curve-carved in melty icecream fashion, and plenty of gilt column capitals. Even the organ pipes had angels carved around them. It was absolutely ghastly, but gloriously so.

    After a spot of cake-based lunch we continued our journey by crossing the Charles Bridge (one of Prague’s famous bridges across the Vlatva river), dodging caricaturists and watercolour vendors as we went.

    The view of the Vlatva River from Charles Bridge

    From here we were in to the old city proper. We saw the town hall with its elaborate astronomical time piece, and then burrowed deeper into the city towards Wenceslas Square.

    We passed numerous shops of touristocrap and Bohemian crystal (there may have been a Swarovski boutique or two present). From the square (just a couple roads in stately boulevard fashion) we turned right and walked back to the river, where we checked out Frank Gehry’s Dancing House.

    Then we crossed the river, walked along the riverside and attempted to get the furnicular up the hill, except it was closed for a week. With bad weather closing in, we caught a tram round the castle and back to our digs.

    The weather had cleared by sunset and we went out to take some snaps of the city:

    For dinner we visited an adjacent brewery and restaurant. I was aware that beer in Prague was supposed to be good. In fact I fondly remember hearing in a backpackers in Edinburgh an Australian proclaiming of prague that the ‘beer is cheap’ (of Prague’s architecture and music and culture, he had nothing to say). From the menu I picked a beer that looked appropriate, though to I have to confess the only word I recognised was ‘amber’, and assumed it was some sort of lagery thing. What I received was a singularly foul-tasting bitter brew that, even at a mere 400ml, I couldn’t bring myself to finish.

    Sally fared equally badly on the food front, ordering 800g of pork ribs, and the resultant plate was stacked so high with pork carcass that I suspect even a 20 stone plumber would go pale at the sight of it. You can be sure that a good proportion of this meal was left behind, and Sally and I left the brewery in something of a state of disgrace. We consoled ourselves by taking pictures of Prague by night.

    The next morning the sun rose over a city covered in fog, with only the spires of cathedrals showing through. It was pretty good. Unfortunately we had to pack up and get ready to leave Prague.

    Although somewhat brief, our Prague visit was fairly enjoyable. The Czech people seem a bit less alien than those of Vienna, and more stable than those of Athens. It would have been nice to stay there longer and experienced the city at a less hectic pace, but we got a bit of a flavour of things nonetheless.

    October 24, 2011
    Argh, Vienna

    Pretty much all we knew about Vienna before arriving there can be encapsulated in two music videos:

    So basically, Midge Ure’s bad moustache and Falco’s exploitation of Mozart was all we knew. Well, we were kind of familiar with Beethoven, Mahler, Freud, Schoenberg, Klimt, Wittgenstein, Popper, and all that, but of Vienna the city, nada. (And it should be pointed out that when Ultravox wrote their song they’d never been there, either.) So for us the city was a blank slate.

    We flew into Vienna mid afternoon and caught a train then U-bahn into the centre of town. Our hotel was fairly pricey, but had the sort of plush furniture my grandmother would have liked. They didn’t seem to like to turn the heating on.

    The temperature in Vienna was into single figures, which was a bit of a shock after the mid-20s of Greece and (sometimes) Turkey.

    The first thing we noticed was that everything was more orderly than Athens. On the other hand there were some eccentricities. On the underground stops were announced in a detached monotone in an accent similar to Arnold Schwarzenegger’s, which caused Sally and me much hilarity.

    On Viennese trams you must give up your seat if psychedelic Sigmund Freud gets on board.

    After we checked in we had caught the number 1 tram round various rings towards the eastern end of the city centre. Our objective was the KunsthausWien, which Sally assured me had funky architecture. Along the way we were able to see innumerable grand buildings, fountains, statues and whatnot. Vienna’s grandeur was certainly very prominent.

    The KunsthausWien (Art House) turned out to be very funky indeed:

    This is actually a model of the musem inside the museum - we don’t have very helpful pictures of the exterior.

    Inside we discovered the museum was devoted to the life and art of one Friedensreich Hundertwasser, a psychedelic print maker and architect (one of his works being the KunstHausWien itself). It turned out that he had lived much of the latter part of his life in the Bay of Plenty, had designed the Kawakawa public toilets, and had created a suggested alternative NZ flag (a green koru, which certainly gets my vote). Sally and I had never heard of him, although the flag bit rang a bell.

    The museum showed an NZ interview of him from the early 90s (I guess) by Ian Fraser. Hundertwasser derided the straight line aesthetic of contemporary architecture in favour of curvy bits. The doco then showed various steel and glass Wellington buildings as examples of what he hated, which made me laugh.

    Given the prominence the museum gave to  Hundertwasser it was odd that he wasn’t more famous in NZ. (Unless he is famous, and we just haven’t noticed.) On the other hand, I think it’s nice we’re able to be a bit ‘yeah, whatever’ about someone that another country reveres. It’s like we have other things to concentrate on. Like, er, rugby.

    In any event, we were sufficiently impressed with Hundertwasser’s hippy hijinks to buy a book for our coffee table back home.

    There was a restaurant attached to the museum and there we had Wiener schnitzel (crummed veal). It was nice enough, but you’d want to consult a cardiologist after eating a few.

    After the museum we visited a block of flats Hundertwasser had built, appropriately named the Hundertwasserhaus. You can’t go in because people live there, and it was dark by then, but the place still seemed to be quite fun:

    We trammed it back to the town centre and had a wander up to the Stephansdom, the gothic cathedral. The platz it was in was very genteel, although it was very touristy, and there were numerous Turkish touts about, looking not-quite-right in 18th Century garb. It was very charming.

    The next morning I awoke to find the cold I had had brewing since Santorini had finally burst out in congested, laryngitic misery. Once I was suitably dosed up with Sudafed Sally and I caught the U-bahn out to the Schönbrunn Palace, the summer palace of the Habsburg Emperors of the Austrian Empire.

    The palace was very grand - not quite Versailles-ludicrous or Potsdam potty. In fact it was slightly more modest. The grounds were nice and featured a maze.

    Schönbrunn Palace with me doing my uncanny impression of The Fonz.

    The kaleidoscope in the centre of one of the mazes.

    Me trying to get around one of the mazes. Growing frustration and anger shown.

    Our first major disenchantment with Vienna came when Sally had to pay to use the toilet at the place we had lunch (in a very nice building on a hill out the back of the palace grounds. We had already paid 18 euros for a very modest lunch, so paying again to use the bathroom seemed a bit much. Sally came away vowing not to tip anyone in Austria.

    We caught the U bahn back to the town centre and visited the Kunst Historiches Museum. This institution has a lot of paintings by that late mediaeval nutter, Peter Brueghel the Elder, including the The Hunters in the Snow, The Peasant Wedding (as caricatured in Asterix in Belgium), and the Tower of Babel. There was also the haunting Vermeer work The Art of Painting, by which both we and a number of Japanese tourists were quite transfixed. In fact we were impressed at the volume of Japanese and to a lesser extent Chinese in Vienna. Sally reported that Vienna would be right up their alley as a sort of tour de force of princes and princesses and rococo elegance (or as she put it, “they like that stuff”). To me it all seemed quite ghastly, but I was happy to check it out.

    Illicit photograph of The Art of Painting.

    Horus with shoulder sprouting Dickis, god of idiots.

    After the Kunst Historiches Museum we visited Cafe Sacher, home to the world-famous (apparently) Sacher Torte. We were asked to check in our coats, and were then seated. I had the apple strudel, and Sally had the world-famous-apparently Sacher torte, which came at a world-famous price. Thing is, it tasted like a slightly dry chocolate cake, so we weren’t sure what the fuss was about. When we went to pick up our coats, we were charged an extra euro each for the privilege, which offended us greatly, given the staff had asked us to check them in in the first place, and we hadn’t been fussed. Our Viennese disenchantment was gathering momentum.

    World famous in Vienna, Sacher Torte - note extensive self-aggrandising pamphlet which allows you to buy your own genuine torte for an absurd price. We didn’t.

    Next we went back to Stephensdom where Sally climbed the tower to take pictures of sunset (as I was crook I was given a dispensation and stayed below).

    When we came back to our hotel we stopped at a patisserie and bought a piece of their (non-authentic) Sacher torte, about a quarter of the price of the Genuine Article (TM). When we eventually consumed it (the next afternoon on the train!) it turned out to be far superior to the genuine article.

    We had dinner in a Japanese restaurant next to our hotel, where we received absolutely lousy service. The German manner is not to wait to be seated. You seat yourselves, and wait to be brought menus by a waiter or waitress who did not great us show any kind of human warmth. Admittedly in this case the staff were asian, but in Japanese restaurants we were so used to loud greetings from the entire staff every time a customer entered that this was beyond the pale.

    The next morning we checked out and proceeded to the Hofburg palace, the main  palace of the Austrian Habsburgs. We first visited the Silver museum, which contains a vast collection of porcelain and cutlery used by the palace. The quantity was beyond all imagining and the amount of gilt and ivory and all-round opulence involved was strangely sickening. Or so I thought. I think Sally was a bit more impressed.

    After this museum we visited the Sisi museum, which is devoted to the life of Elisabeth of Austria-Hungary, who was married to Emperor Franz Joseph I. Originally a noble from Bavaria, she was married at 15 and suffered depression, anorexia, a domineering mother-in-law and other manner of privations. Effectively separated from the Emperor, she travelled round Europe, learned a lot of Greek, rode a lot of horses, and visited a lot of spas. To top it all off, she was randomly murdered by an Italian Anarchist in Switzerland.

    The museum was a touch maudlin and numerous self-obsessed melancholic writings by the Queen were strewn over the walls. She did have some quite nice dresses, though.

    From the Sisi Museum we moved into the Imperial Apartments, which were decorated much like the Schonnburg Palace. It was interesting seeing Elizabeth’s bath and commode, however. We also learned that Franz-Joseph I was a workaholic who liked to rise at 3:30am. He also sported the most ridiculous moustache (but not as bad as Midge Ure’s). Along with all the family misfortunes (his eldest daughter died young of Typhus, his son the crown prince shot himself and his lover, and let’s not forget that his nephew Franz-Ferdinand was murdered by Serbians) he seems to have presided over the decline of the Austrian Empire at the expense of Germany. He was effectively the last Emperor (his successor only had 2 years before the monarchy was dissolved as part of the settlement at the end of WWI). It was all a bit grim.

    We then visited the Imperial Treasury, in which diamond encrusted thises vied with giant emerald thats. There were some pretty impressive robes dating back to the 13th Century, but other than that it all seemed a bit pathological, symptomatic of the overwhelming burden of power and madness on these daft German bastards. It certainly seemed to explain why the Austrians would charge customers for using the toilet…

    We had the option to visit another museum, Leopold, to view Klimts and Schieles, but Schiele is a bit hard to stomach at the best of times and we’d seen too many Klimt tea towels in various museum shops to feel much enthusiasm now. Instead we elected to get out of Vienna as quickly as we could!

    Ah, Vienna. Can’t say it means nothing to us, but it was certainly quite odd. Architecturally magnificent, but emotionally distant. I think it was quite apt that an Austrian was cast as the Terminator. Unlike Arnie though, I don’t think we’ll be back!

    October 21, 2011
    Athens & Santorini

    Greece has been in the news a lot lately for being the harbinger of financial apocalypse. We thought the worst had passed when we booked our trip there months earlier, but the crisis actually deepened as Europe tried to find ways to manage Greece’s service payments on 340 billion euros of debt. With many European banks exposed to Greece, having bought up many Greek government bonds, the imbroglio threatens another credit crunch. Superb! (Note that this Vanity Fair article from last year gives a very interesting and depressing overview of the situation.)

    Greece itself has reacted to the austerity measures forced on its government by the EU, IMF, et al, with general strikes, protests, the odd bit of rioting and general bad feeling. We managed to dodge the latest rounds of general strikes (5 October and 19 October), but when we arrived we found the monuments were closed because of a strike, rubbish collection was halted until the 20th, and there would be a transport strike the following two days. You can imagine that this did not fill us with confidence.

    We obtained this information from a helpful woman at the information desk at the airport. Sally then asked if there was anywhere in Athens we shouldn’t go because of protests and riots, and the woman suddenly said very pointedly, “this isn’t a Greek problem, it’s a global problem.”

    I was astonished at this, as Sally’s questioning had been entirely innocent of any criticism, and I pointed out that “You have had riots.” The woman became even more indignant and asked us if we were English. I suspect if we had been, she’d have told us, regarding the UK riots, that people in glass houses shouldn’t throw stones. Unfortunately we were New Zealanders, so she had to take a more conciliatory tone, explaining that it was a US and European problem, not global. But still, it wasn’t just a Greek problem. 

    We found this reproachfulness very odd, to say the least, especially coming from someone who was supposedly there to help visitors. If she had been instructed to correct the misperceptions of tourists visiting Greece, she was definitely going about it the wrong way. She may have already received some stick from visitors baffled and annoyed at all the strikes, and expected the same from us. From what we’ve heard from people on our Turkish tour group, though, strikes in Greece are a way of life, so perhaps she thought it was perfectly normal and acceptable. In any event, it wasn’t the best introduction to Greece and Greek hospitality.

    Athens

    Apart from this early hiccup we breezed through the airport and our subsequent metro trip into Athens without incident. We stayed at a backpackers not far from the Acropolis, which was a pretty good decision given the transport strikes, although we wouldn’t be able to visit the Acropolis the next day because of the monument workers’ strike (keeping up?). The backpackers seemed largely staffed and populated by Australians, but was otherwise serviceable. Across the road days worth of rubbish was piled up ever so elegantly.

    Charming.

    We rose bright and early the next morning to visit the Acropolis Museum, an institution apparently unaffected by the museum strike. The Acropolis Museum was completed just a few years ago, and houses such magnificences as the statues from the Erechthion, and marble statuary from the Parthenon, arranged in similar to dimensions to how they would be if they were still on the building. The arranged statues have casts of the statues held in other museums, most notably the Elgin Marbles in the British Museum. I have to say this arrangement makes a very eloquent case for getting all the statues together in one place. On the other hand, when you visit the British Museum, it would be a shame not to have something as representatively magnificent of Greek culture there to see…

    After the museum we did something blasphemous: we went back to our hotel and hung out there for a couple of hours, watching a Korean soap opera. At around 2:30 we ventured out and visited the EMST museum - contemporary art, but not very much of it and not very compelling, and the Benaki Museum, a marvellous building housing Greek works from the neolithic to the early 20s.

    EMST Gallery: not what we’d hoped.

    After that we romped up the Lykavittos hill to photograph the sunset:

    The sunset was nice enough, but the most interesting bit was coming across a tortoise. An apocryphal story has it that the poet Aeschylus was killed by a tortoise dropped on his head (presumably unintentionally) by an eagle. We don’t know if this tortoise had been in any fatal accidents, but when we saw it it was shy and unassuming enough.

    I’ve got the turtle’s head: me with tortoise.

    We headed back into town and skirted around the edge of the Parliament and the Syntagma, the square from which all the rioting has been conducted. There were no riots in progress as we went past, but there was a riot policeman posted on each street corner, so we got the impression that the police at least expected  something could boil up any time, despite what the tourist information harridan had said at the airport.

    We ended up having dinner at a Korean restaurant. You may think it unforgivable, but after 12 days of Turkish food, and having been told by our tour group associates that the best Greek food is actually Turkish food, we decided to have something completely different. I guess this may be an egregious slight on Greek cooking, but I tell you, that’s what we felt like.

    The next morning we jumped out of bed and rushed up to the Acropolis, getting there at 8:15. We bought our tickets, dashed through the Propylaea, and had about 45 minutes on the Acropolis with just a few tourists before the cruise ships started trucking in their human herds.

    The Propylaea, with Greek soldiers ascending the acropolis to raise the flag and sing the national anthem.

    In the early morning sun the Parthenon looked pretty good, but it has a crane sticking out of it on the western side. It’s smaller than I would have expected, but with pride of place on the Acropolis it was still imposing. The Erectheion was also good to see, with its mixed level plan, though I’ve always found it odd that it’s the more important temple when it’s tucked down the side. As for the little ionic Temple of Athena Nike, we could only see that by stepping back down the Propylaea, but we got a few snaps of it to examine later.

    The Erechthion and its caryatid porch.

    The Erecthtion’s ionic columns with our shadows.

    The Parthenon.

    The fun-sized temple of Athena Nike.

    I’ve been interested in seeing the Acropolis since I was a child, and everything was sort of how I expected it, but I wasn’t sure how to respond. After so many months seeing so many interesting and amazing sights, I’m a little amazed out. It was good to see, but I didn’t get much of a sense of satisfaction out of it. Yeah, I think that’s what I felt.

    I responded better to the Athenian Agora, down the hill from the Acropolis. An agora is the marketplace in a Greek town, and the Athenian agora had numerous stoa (market colonnades) and monuments erected on it, from archaic through to Roman times. It’s all mostly rubble now. The stoa of Attalos was rebuilt, and now contains the Museum of the Ancient Agora. There I got to see a pot painted by the great Exekias. Some bloke was skewering another bloke with a spear. Great stuff! Elsewhere we saw other bits of market-related stuff fished out of the ground, along with the odd skellington.


    The other excitement in the Agora is the Hephaisteion, or temple of Hephaistos. This is a smaller temple but it is the most complete temple extant. Nestled on a hill surrounded by trees it only had 3 other people looking at it, making for by far the best temple viewing experience of the day.

    Us and the Hephaistion, while we were shooting a rap video, apparently.

    After the Agora we visited the Pnyx, the hillside where the Athenian Assembly used to meet and vote and ostracise. It was participatory democracy in action. There isn’t much to see on the Pnyx now, just a few ruins, but it was nice for me to stand on the place where a lot of historic votes were taken and decisions made - many good and many stupid. Having not much else to do on the Pnyx, we checked out a few thousand ants rushing about the ground. I’m not sure if the Pnyx ants governed themselves via participatory democracy, however. If memory serves, they’re more into monarchy.

    Ant on the Pnyx.

    From the Pnyx we wandered down to the Theatre of Dionysos, where the dramatic festival, where the Great Dionysia used to be held. This festival involved watching lots of plays consecutively, and getting drunk in the sun. The Greek tragedies of Aeschylus, Sophocles, and Euripides were first performed here, along with the comedies of Aristophanes. The ruins left today are a jumble of Hellenistic and Roman remodelling, but it was nice to sit there and look up at the Acropolis high above.

    After the Acropolis we had another siesta, and at around 2pm we walked out to the National Archaeological Museum. This necessitated walking through the Plaka, a maze of old winding streets north of the Acropolis and east of the Agora. There were lots of shops selling tourist tat (there I pondered buying my friend Andy Loughnan a statue of a satyr with an enormous dong, but decided he might not be grateful to receive such a generous and thoughtful gift), and restaurants. It’s the sort of thing tourist guidebooks would describe as ‘charming’, and ‘vibrant’, but it seemed to me a chaotic mess, esp with a lack of adequate footpaths and numerous motorcycles charging down the narrow lanes.

    There was worse to come. North of the Plaka the streets got grubbier and grubbier and just short of the museum we found ourselves roaming through clumps of very sorry looking men who appeared to be homeless drug addicts, limping about like very morose zombies. I guess they didn’t look much worse than the gang of homeless Blanket Man used to preside over, but there were dozens of them, which was a bit alarming. We hurried as best we could into the reassuring arms of the Museum of Archaeology.

    The highlights of the museum are the golden Mycenean death mask that archaeologist Heinrich Schliemann called ‘Agamemnon’s Mask’, the great classical bronze statue of Poseidon/Zeus (probably Poseidon), and the Antikythera mechanism, the enigmatic cogged contraption that was possibly some sort of astronomical device, or perhaps part of an ancient Greek spaceship.

    A less famous deathmask, this one being of King Mee-mee-mee-mee-mee.


    Additional to these highlights were numerous Archaic statues, Roman-era grave sculpture, and vases beyond all counting. For me the most interesting parts of the collection were the Bronze Age Cycladic/Minoan/Mycenean relics. Pots with octopi, hedgehog vases and frescoes of youths at play make their civilisations seem kind of fun.

    After the museum we tried to visit a Trip Advisor-approved Egyptian restaurant, but it appeared to be closed, so we walked back through the dodgy areas at best speed and ended up dining in an Indian/Chinese/Thai restaurant, to mixed results. We then returned to our hotel and began packing to leave.

    Santorini

    Santorini is a Greek island in the Aegean Sea, made out of a feisty volcano. An eruption of this island (actually a caldera) in 1700BCish caused the destruction of the Minoan empire and may have been the basis for the myth of Atlantis.

    Before we visited all I knew about Santorini was that my friend Dan had written a track based on sounds he’d recorded there. Sally was keen to visit to take photos of the whitewashed stone villages and cliffs and sunsets.

    Not Santorini, but another island spotted on our way there.

    Our 45 minute flight from Athens to Santorini seemed to end before it started, which was nice. We got a transfer to our hotel and found ourselves dragging our luggage down unending flights of steps and along narrow paths until we reached our hotel, curiously named Antithesis (antithesis of what?). Our room was a white-washed concrete affair recessed into the cliff, with the sleeping area a barrel vault. A mosquito net cascaded from the ceiling above our bed. Oddly, our bathroom had no door, and toilet and shower were combined such that you could theoretically use both facilities simultaneously (try not to get water on the toilet paper, though!). The bed had the odd ant wandering around it, which wasn’t especially good, but there are worse things to have crawling in your bed.

    After settling in we raced down the hill to get a ferry out to the central volcanic island of Nea Kameni. This precipitous path is staffed by numerous donkeys and their handlers, as it’s both a practical and fun way for tourists to get to and from the port. The locals have discovered a novel method of dealing with all the donkey excreta resultant from this practice: they just leave it there. This meant that Sally and I spent about twenty minutes descending the hill tramping on donkey doos. Refreshing!

    The volcanic island of Nea Kameni.

    Donkeys on Donkeyshit Lane.

    Reeling a bit when we got to the bottom, we hopped on to a ferry with minutes to spare and presently cruised over the lagoon to the volcanic island, where we spent 90 minutes tramping over dark volcanic rock.

    Sally… rocks!

    Wandering a new-born island was certainly novel, although monotonous after a while. Next the ferry took us round to some water off the island out of which hot springs vent, making the sea a few degrees warmer. Numerous people on the ferry jumped into the water and swam for a bit, while I sat on the boat feeling slightly awkward. You see, while a holiday on a Greek island and the sun and fun that idea evokes may seem lovely to many if not most people, it’s not my thing in the slightest.

    The ferry eventually returned us to shore, and, not daring to face climbing back up the hill with donkey pong in our nostrils, we took the super fast furnicular. Money well spent!

    We then caught a bus to Ios on the northern cape, a location where the best tourist brochure photographs may be sourced. It was about sunset, and flocks of tourists were milling about obtaining as many snaps as they could. There were numerous Japanese, a few Chinese, some ghastly Americans, and a few too many middle aged Australians fresh off the cruise ship, looking to buy something to stick in the pool room.

    Sally loving the whitewash downhill village action.

    Stuart loving the tourist action.

    Sadly it was just a little bit too cloudy to get good sunset photos. Eventually we gave up and bussed back to Thira, where we ate a tasty Chinese meal (“General Cho’s chicken” definitely outranks the Colonel’s!).

    We awoke the next morning to find it was raining heavily. We ended up spending all morning and a rather embarrassingly long chunk of the afternoon camped in our room surfing the net. Up until now we haven’t paid much attention to the Rugby World Cup, but with nothing else to do we read commentary of the NZ/Australia match, including realtime Skype updates from Sally’s sister Helen. We also got up to date with this blog, downloaded various soap operas, and had a generally agreeable time.

    Snail enjoying the wet weather. So did we.

    Eventually we decided that we’d better see some more of Santorini while we were there, so we went out.

    The trouble with Santorini, for us at least, is that it is so touristy that unless you want to buy souvenirs, take photos, or stuff your gob in a restaurant, or swim, there’s not a lot to do. In fact the ideal visit (unless you like spending a week on a beach doing nothing, and we aren’t that sort of people) is a day jaunt from a cruise ship. The island might have been more interesting if there was more to it than servicing tourists, but unfortunately there isn’t. In the end we wandered about somewhat aimlessly until it started raining again, then headed to a restaurant.

    “Come here, you!” “Mrrow.”

    This time we bit the bullet and actually ate Greek food. Well, I ordered a burger, and received two patties and chips, but Sally ordered moussaka, which is essentially cheese-topped mince stew. It tasted good, but it was pretty full-on, and we ended up feeling a bit stuffed at the end of it.

    The experience wasn’t the best as there was a Greek music CD on the tannoy playing the sort of horrible balalaika music that you’d expect in a… Greek restaurant. You know the sort of thing, slow tempo getting faster and faster, instrumental versions of Never on Sunday, break a few plates, etc, etc… There’s probably a genre name for it but anyway, it got really monotonous and grating, esp when the CD looped back to the start. (They could have at least have played the theme to Who Pays the Ferryman?.) So we dashed out as quick as we could, packed our bags, slept, got bitten by a mosquito, got up at 5am and fled the island.

    So that’s the extent of our visit to Greece. It wasn’t really long enough to get a handle on the place. Athens had plenty to see but was a bit of a shambles. Santorini looked nice, but there wasn’t much for us to do. We couldn’t say we disliked our time in Greece, but nor was it a transcendent experience. It should be noted that with the October 19 general strike there was further rioting and disorder. Still, as Tourist Information Woman says, it’s not just a Greek problem, they just happen to be the only place rioting over it. For now.

    We hope Greece’s government (or its receivers) manage to sort out the country’s problems. I suspect it will take a while, though.

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